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Casa dos Bicos

The Casa dos Bicos is a historical house in the civil parish of Santa Maria Maior, in the Portuguese municipality of Lisbon. The house, built in the early 16th century in the Alfama neighbourhood, has a curious façade of spikes, influenced by Italian Renaissance palaces and Portuguese Manueline styles. It survived the disastrous 1755 Lisbon earthquake that destroyed much of the city, but over time was abandoned as a residence and used as a warehouse. After a 20th-century renovation, it became the headquarters of the José Saramago Foundation and a location of the Museum of Lisbon.

History
The historical record indicates that as of 1506, Afonso de Albuquerque, the first governor of Portuguese India, had buildings in the area, if not ownership of the lands. In 1521, his son Brás de Albuquerque travelled to Italy in the company of the Infanta Beatrice, Duchess of Savoy, and spent some years there, where he observed the new trends in Renaissance architecture. The young Albuquerque, a courtier recognized for his humanist cultural leanings, was responsible for the construction of the Quinta da Bacalhôa. It is presumed that he was influenced by urban palaces such as the Palazzo dei Diamanti (in Ferrara), so called in reference to its façade made up of thousands of small diamond-shaped pyramids. The foundation opened a permanent exhibition titled The Seed and the Fruits about the life and public works of José Saramago. Other cultural events are presented in the building, including book releases, minor theater plays, talks and debates. ==Architecture==
Architecture
The Casa dos Bicos is situated along the northern side of the street, contiguous with other buildings and identifiable by the surface treatment of its façade. It is a rectangular building of four floors, with irregular fenestrations (windows) and a tiled roof. The principal façade, to the south, is decorated in diamond-shape protrusions. The floors are demarcated by frames that run along the façade. The first and second floors are framed by doors and windows in stonework; the first floor includes four simple doorways of varying dimensions and asymmetrical distribution (some rectangular, while two doors marked by convex arcs). On the second floor are four rectangular windows of varying dimensions and asymmetrical distribution. The third and fourth floors are marked by windows of varying dimensions and asymmetrical placement, using stylized single, double and triple rounded windows. Two styles of windows prevail on these floors: simple rounded-arch windows (a triple-frame on the third floor and two double-framed windows on the fourth floor) and styled curvilinear windows, based on Manueline elements. The interior has been substantially altered from its early conceptions, and includes a steep, clear marble staircase with bold lines and contrasting black walls. ==See also==
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