Chafed Elbows was a commercial success.
Bosley Crowther wrote in the
New York Times: "Everybody in this wacky movie about a busy day in the life of a hyperthyroid moron is an unregenerate mess – from the fellow himself, whose mad adventures include a mistaken hysterectomy, which results in the removal from his: innards of 189 $10 bills, to his snaggletoothed, scratchy-voiced mother with whom he is having an incestuous affair, to his bald headed, viper tongued psychiatrist who rattles off his words like
Groucho Marx. They're all hideous, obscene, repulsive people on the order of some of the slobs in comic strips, only these are much more irreverent and filthy-mouthed than any comlc-strip characters would dare to be. And I would hastily overlook them and drop this film with much of the trash in the underground, if it weren't that there is in
Chafed Elbows a promising modicum of lively, acid wit."
Boxoffice wrote: "One of the many pictures shot in New Yok each year using a hand-held camera and semi-professional actors, this is strictly a novelty, produced, written and directed by Robert Downey, and suited only to showings for experimental groups or in small
Greenwich Village-type houses in the larger key cities. Although the photography is poor with jumpy camerawork which tires the eyes, the picture has several excruciatingly funny moments of clever satire, as well as startlingly frank sex innterludes, vulgarisms and four-letter words. ... At least, the picture rates an "A" for effort." Critic
Parker Tyler described the film as "the offbeat of the offbeat, being a scrupulously coarse and inept, wildly far-out lampoon on honest Underground coarseness, boldness, and ineptitude. Where
Ron Rice is relatively naive, Robert Downey is relatively sophisticated, but with the supposed dividends of value reversed.
Chafed Elbows is – though the expression is almost tautological – an Underground burlesque. I should say it is quite impossible that an Underground film which Bosley Crowther,
Judith Crist,
Archer Winsten, and
Cue all saw fit to praise could rightly belong to the bona fide Underground. The film's effort at style is significant: it tries to out-kindergarten the kindergarten's view of the adult world." ==Home media==