Champagne glass

The champagne flute (French: ) is a stem glass with either a tall tapered conical shape or elongated slender bowl, generally holding about of liquid. The earliest examples of flute-like glasses date back to the Roman era. In modern times those made at Murano near Venice, being of fine craftsmanship, greatly grew in popularity during the 16th century and were subsequently exported and mimicked in England and the Netherlands. During the late 17th century it was aggressively promoted as "the glass of fashion" by Charles de Saint-Évremond, while he was in exile at the court of Charles II, and its popularity grew as a champagne glass throughout the 18th century in England and France. The champagne flute was developed along with other wine stemware in the early 18th century as the preferred shape for sparkling wine as materials for drinking vessels shifted from metal and ceramic to glassware. Initially, the flute was tall, conical, and slender; by the 20th century, preferences changed from a straight-sided glass to one which curved inward slightly near the lip. This inward taper is designed to retain champagne's signature carbonation by reducing the surface area for it to escape. Nucleation in a champagne glass helps form the wine's bubbles; too much surface area allows carbonation to fizzle out quickly. More bubbles create greater texture in the taster's mouth, and a flute's deep bowl allows for greater visual effect of bubbles rising to the top. The flute's narrow cross-section also minimizes the oxygen-to-wine ratio, which enhances both the wine's aroma and taste. While most commonly used for sparkling wines, flutes are also used for certain beers, especially fruit beers and Belgian lambics and gueuzes. The flute shows off the beer's color, and helps gather the aroma for the nose. The champagne flute is distinguished from the pilsner glass, which lacks a stem. == Coupe ==

The champagne coupe is a shallow, broad-bowled saucer shaped stemmed glass generally capable of containing of liquid. Originally called a tazza (cup), it first appeared circa 1663, when it was created by Venetian glassmakers employed at a Greenwich glass factory owned by the Duke of Buckingham. The tazza was designed to hold champagne, and after it was retitled 'champagne coupe' and marketed by early Victorian commerce, it became popular within the English high society. ==Tulip==

Champagne is also served in a tulip glass. The white wine tulip is distinguishable from the champagne flute by its wider, flared body and mouth. Some oenophiles (wine lovers) prefer the tulip glass, as it permits the drinker to get more of the aroma than a traditional flute while the mouth is still narrow enough to avoid quick loss of carbonation. The Washington Post food columnist Dave McIntyre has argued that the tulip allows the champagne to move to the middle from the front of the tongue, allowing the wine's flavor to be better expressed. The glassmaker Riedel particularly criticizes flutes as one-dimensional, impairing drinkers' ability to appreciate a wine's full range of aromas and taste profiles. ==Double-wall stemware==

In the 1960s, double-wall stemware was developed to slow the transfer of heat from a drinker's hand to champagne and other beverages. Inner and outer walls are separated by a small gap filled with air, a poor thermal conductor. == See also ==