Mudie originally opened his
circulating library to give the public greater access to non-fiction works — which comprised nearly one third of his stock — but the market value of the novel brought him financial success. In 1842, he began to lend books, charging subscribers one
guinea per year for the right to borrow one exchangeable volume of a novel at a time. (At that time, other book-lenders charged between four and ten guineas.) Mudie's model proved so successful that in 1852 he moved his "Select Library" to larger premises at 509, 510 & 511
New Oxford Street, at its junction with Museum Street and Hart Street, just a few yards south of the
British Museum. Mudie's soon had outlets on Cross Street in
Manchester and on New Street in
Birmingham.London book deliveries were carried out by vans, and the expansion of railroads and trains allowed people to order books across the country. International orders were also issued and shipped abroad in tin boxes. Mudie's also exported books using watertight boxes, some of which were reported to have survived shipwreck. Mudie was able to offer publishers advance purchase of three or four hundred copies of their new books, and he obtained corresponding discounts. The company's withdrawn books were offered for sale at £5 for a hundred volumes in 1860. In the Victorian era, the cost of novels exceeded the means of most middle-class Englishmen, so popular lending-libraries like Mudie's had a strong influence over the public — and thus over authors and publishers. Mudie's demands that fiction novels should be suited for the middle-class family controlled the morality, subject, and scope of the novel for fifty years. His "select" books were carefully chosen with these, his standards, in mind; once the Mudie Library considered a book unfit for its customers, other libraries followed suit. The rise of the three-volume novel can be directly attributed to this influence, and Mudie's refusal to stock immoral books and "novels of questionable character or inferior quality", such as
George Moore's
A Modern Lover (1883), ''A Mummer's Wife
(1885) and A Drama in Muslin'' (1886), also had an effect on the direction of Victorian literature. George Moore criticized the moral and structural power the circulating library system had on literary distribution. His response to censorship was to issue a number of polemics against circulating libraries, the most popular being
Literature at Nurse, or Circulating Morals. He confronted Mudie on why the librarian refused to sell
A Modern Lover. Mudie's response was:"Your book was considered immoral. Two ladies from the country wrote to me objecting to that scene where the girl sat to the artist as a model for Venus. After that I naturally refused to circulate your book, unIess any customer said he wanted particularly to read Mr. Moore's novel." Mudie was also crucial in the success of scientific volumes – in November 1859 he bought 500 copies of the first publication of
Charles Darwin's
On the Origin of Species. In fact, much of Darwin's own reading was obtained from Mudie's nonfiction collection. His five-guinea annual subscription allowed him to borrow a parcel of up to six recently-published books a month. In 1860 the company's New Oxford Street premises were substantially enlarged, and new branches of the business were subsequently established in other English cities such as York, Manchester, and Birmingham. (Competitors of Mudie's in London in the 1870s included circulating libraries of Bolton, Day, Miles, Rolandi,
W.H. Smith & Sons, and United.) In 1864 Mudie's was converted into a limited company. On August 18, 1871, directors of Mudie's Select Library (Limited) acquired control of the English and Foreign Library (formerly known as
Hookham's). Mudie's library continued into the 1930s. The decline of Mudie's eventually came as a result of the rising number of government-funded
public libraries, which offered similar services at a much-reduced rate. ==In literature and popular culture==