Shi began publishing fiction in 1979. His early works drew from his experiences as a
sent-down youth and rural life, emerging during the post-Cultural Revolution
scar literature period. His writing later shifted toward philosophical and religious themes, exploring love, redemption, and transcendence. He was a resident writer with the Beijing Writers Association and served as its vice chairman, as well as a member of the national committee of the
China Writers Association.
Notable works • "My Faraway Qingpingwan
(我的遥远的清平湾, 1983), a short story that won the National Excellent Short Story Prize. The story is about a sent-down youth and an old man of the village, and takes the view that the peasants suffer more over the long term than the urban youth sent from the city. A sequel, A Story of Rustication'' (), was published in 1986. •
Fragments Written in the Hiatus of Illness (病隙碎笔, 2002), a collection of meditative essays composed during dialysis treatments. •
My Sojourn in Ding Yi (, 2006), about an immortal spirit that inhabits the bodies of a succession of people, including
Adam, Shi Tiesheng himself, and the book's hero, Ding Yi. In 1980 director
Tian Zhuangzhuang based a short film called
Our Corner on a story by Shi; it was the first film by a filmmaker of
China's Fifth Generation Cinema. His collections of short stories include
My Faraway Clear Peace River () (1985) and
Sunday () (1988).
Awards and legacy Shi received numerous accolades, including the National Excellent Short Story Prize (1983), His works have been widely influential, included in school textbooks, translated internationally, and adapted for stage and screen. According to a 2024
Douyin Reading Ecosystem Report, Shi Tiesheng ranked as the platform's most popular author, with related videos totaling 186,000 (up 192%), viewing time surging 415%, and shares increasing 51%. The primary fans are 00s readers, followed by 90s and 80s generations. Sales of his
I and the Temple of Earth skyrocketed 357%. ==References==