MarketChest of Saint Simeon
Company Profile

Chest of Saint Simeon

The Chest of Saint Simeon or Saint Simeon's Casket is a rectangular cedarwood sarcophagus in the shape of a chasse, overlaid with silver and silver-gilt plaques, said to hold the relics of St Simon the God-receiver; it is located over the main altar in the Church of Saint Simeon in Zadar, Croatia. The chest, considered a masterpiece of medieval art and also a unique monument of the goldsmith's craft of the age, is one of the most interesting works in gold in Europe now under the protection of UNESCO. It was made by local goldsmiths to an Italian design between 1377 and 1380.

History
The legend of the chest Eastern Roman emperors who were seated in Constantinople in the sixth century were not only expanding their collection of valuable works of art, but also relics of saints in order to be able to stand side by side with Rome's. So, between 565 and 568 AD the sarcophagus where the remains of St. Simeon were being kept was moved from Syria to Constantinople, where it stayed until the year 1203 when it was then shipped to Venice. According to tradition, the veneration of St. Simeon at Zadar began after the arrival of a Venetian merchant there who was transporting the relics of the saint in a stone sarcophagus when his ship was caught in a storm off Zadar, on the Dalmatian coast. While the city repaired his ship, he secretly buried the sarcophagus in a cemetery nearby so as to keep it safe from any danger; soon after that he got very ill. He sought refuge at an inn at the head of Zadar's harbour, where monks began to treat him. Seeing that his medical condition had worsened, they took all of his documents and found an inscription hanging around his neck reporting the miraculous powers of the saint. Oddly enough, that same night, three rectors appeared to them in a dream and warned each one individually that the remains of the holy saint were really buried in that said cemetery. Early in the following morning, as they walked to the site where they expected to find that stone sarcophagus, they told one another about their vision and so realised that they all had shared the same dream. They got to the grave where the chest had been hidden and dug it out of the ground, unaware of the real powers of its content. Shortly after that, gossips about this story reported by the monks and miracles performed in the name of the saint began to spread around the region inciting to the locals to refuse to let his body leave Zadar. On 16 May 1632 they were transferred once more amid public rejoicing to a church consecrated to St. Stephen, the Martyr, and which subsequently came to be known as the Sanctuary of Saint Simeon the Righteous, the prophet of the Nunc Dimittis. Since then St. Simeon, one of the four patrons of Zadar, has been revered in the city. The theft of the finger In 1371, Elizabeth of Bosnia, daughter of Stephen II, Ban of Bosnia, and Queen of Hungary and Croatia as wife of one of the most powerful European rulers of his time, King Louis I, visited the city of Zadar. According to legend, during a religious mass, she furtively cracked off a piece of St. Simeon's finger and hid it in the breast of her dress, where it immediately began to decompose, a process which miraculously reverted itself when she returned the piece to the saint's hand. Confused by the appearing wound on her bosom and without being able to continue up to the point where she could safely exit from the church, most probably because of the maggots that infested the broken piece, Recent events In 2007 the Archbishop of Zadar and the Greek Orthodox Patriarch of Jerusalem agreed that the Archdiocese would provide a piece of the body of the saint to the Patriarchate of Jerusalem to be venerated in the Church of the Katamon Monastery of St. Simeon. Arrangements were made with the Congregation of Divine Worship and Cult of Saints in Rome and the small silver reliquary, constraining a particle measuring 5 x 2.5 cm and bearing the Latin inscription: "Ex corporis Sancti Simeoni Iusti Zadar 7. octobris 2010", was solemnly handed over to the representatives of the Orthodox Church during the celebration of Vespers in the eastern part of the historic quarters of Zadar. ==Description of the chest==
Description of the chest
Dimensions The rectangular silver chest of Saint Simeon, standing 2.3 m above the ground on the main altar of the church of the same name, The front side of the lid is dominated by the carved reclining figure of the saint dressed in a gown and cloak richly ornamented with plant motifs made by punching fastened on his breast by a clasp. The front panel, which unfolds by means of hinges located on the bottom displaying the saint's laid-down figure, measures 66.5 cm high. Covered inside and outside with a thin lamina of 240 kg of pure silver and also a considerable quantity of gold, it shows intricate details carved on the cedar wood used to give shape to the chest. All free surface of the chest is filled in with more or less standard vine, leaves and winding rosettes of sinuate leaves ornamentations decorated with gold. as well as biblical and historical events of his time. The inside part contains a relief made by goldsmith Stjepan Martinič of Zadar representing the patron saints of the city in the background. The Latin inscription on the central panel on the back of the chest, which corresponds to the main composition on the front panel, bears the goldsmith's signature with Louis's coat of arms in the corners of the richly worked vine tracery that complements the relief. It is divided in two parts, being the larger with the main inscription in Gothic capital letters beaten in high relief: "SYMEON: HI.C.IVSTVS.YEXVM.DE.VIRGINE.NATVM.VLNIS: QVI.TENVITHAC.ARCHA. PACE.QVIESCIT.HVNGARIE.REGINA.POTENS: ILLVSTRIS: ED.ALTA: ELYZABET.IUNIOR:QVAM.VOTO:CONTVLIT. ALMO.ANNO.MILLENO: TRECENO: OCTVAGENO." Below, engraved in stylized minuscule letters, appears the goldsmith's signature: "hoc.opus.fecit: franciscus.d.mediolano." Note: The visual narrative of The Theft of the Finger and two other scenes located on the back part of the chest have recently been considered to be all connected. Such conclusion may differ from another line of thoughts who point to a longer narrative based on a chronological sequence of events, which begins with the scene The Boat in the Storm, shifts from visual to written discourse in the reading of the Latin inscription on the back panel, and ends in the complementary scene The Death of Ban Kotromanić. ==Gallery==
tickerdossier.comtickerdossier.substack.com