The documentary describes the organization and recounts its history by way of outspoken NAMBLA members Leland Stevenson, Renato Corazza, Peter Melzer, and Chuck Dodson, who expound upon and offer justifications for their feelings toward boys. Early in the film, a cadre of NAMBLA members attends the 1993
March on Washington for Lesbian, Gay and Bi Equal Rights and Liberation to argue for inclusion in the
gay rights movement, a demand which is initially met with disapproval from parade-goers. In other scenes, photographs from the NAMBLA Bulletin are shown depicting shirtless or otherwise sexually positioned boys, as well as drawings of winged boys without clothes; Stevenson recounts a sexual encounter in which he received oral sex from a boy as nothing less than a "religious experience"; an unremarkable interaction occurs between Stevenson and a boy, after which Stevenson expresses his certainty that the boy was "flirting" with him; a schoolteacher admits to recently losing his job due to his membership in NAMBLA; several threatening messages are left on another member's answering machine. Poet and free speech advocate
Allen Ginsberg, NAMBLA's most famous member and defender, appears in the documentary and reads a "graphic ode to youth". ==Release and reception==