Chow began his career as an
extra for
Rediffusion Television. Around 1980 he applied for TVB's famous artist training course alongside his friend,
Tony Leung Chiu-wai. Leung Chiu-wai won a place in the class, but Chow was rejected and became an office assistant for a shipping company, a job he describes as "so boring." A year later, his friend and neighbor, Jaime Chik Mei-jan, a veteran of the previous year's training course, put in a word for Chow and he was admitted to the 1982 training class. He captured the attention of the public as host of the
TVB Jade children's program
430 Space Shuttle. He stayed with the show for five years. Producer and actor Danny Lee signed him to a two year contract with his company, Magnum Films, and cast him in a supporting role in the crime drama
Final Justice (1988), which won him the
Golden Horse Award for Best Supporting Actor at the Golden Horse Awards. For the next two years, Chow capitalized on that success, working non-stop. He shot to further television stardom in the TVB
wuxia series
The Final Combat (1989). In addition to shooting the 30 episodes of
The Final Combat, he also appeared in 12 feature films during that same period, most of them triad movies, action films, or dramas.
Jeff Lau directed him in the police thriller
Thunder Cops II (1989) and remembered him in early 1990 when producer Ng See-yuen tried to capitalize on the success of the previous year's hit Chow Yun-fat vehicle
God of Gamblers. Chow would not return to shoot a sequel and so, sensing a hole in the marketplace, Ng hired Jeff Lau to direct a parody. Remembering his work with Stephen Chow, Lau hired him to star, pairing him with
Sharla Cheung (who would appear as Chow's co-star in 12 more films) and
Ng Man-tat, a big star in the Seventies before a gambling addiction wrecked his career. He was then trying to make a comeback as a character actor.
All for the Winner (1990) became the highest grossing Hong Kong film of all time and the number one film for the year. Wong Jing hired Chow to star in the official sequels
God of Gamblers II (1990) and
God of Gamblers III: Back to Shanghai (1991) sequels which Wong wrote and directed (Chow Yun-fat would return to the role he made famous in 1994's
God of Gamblers Return, also written and directed by Wong). Lau had vowed never to work with Stephen Chow again after
All for the Winner and so when it came time to make the sequel to that hit, Stephen Chow only appeared in a brief cameo. After
All for the Winner, Chow had two more major hits,
God of Gamblers II and
Tricky Brains, which grossed HK$40 million and HK$31 million respectively at the box office, but they were followed by what appeared to be a fall from grace as the sequel to
All for the Winner,
The Top Bet, under-performed at the local box office, and his next films
Legend of the Dragon and
Fist of Fury 1991 failed to crack the HK$25 million barrier.
City Entertainment magazine reported that Chow's career was over and he was repeating himself after the hit that was
All for the Winner. Win's Entertainment courted writer and director Gordon Chan to helm Chow's next project,
Fight Back to School (1991). Chan claims he was unsatisfied with the script and rewrote the film as an outline with 15 bullet points and the rest of the movie was improvised. and wind up taking the number one spot at the box office eight times over the course of his career. Often, more than one of his movies would appear in the top ten, as in 1992 when all five of the top spots were held by Chow's films. (Jackie Chan would not retake the number one spot until 1995.) In 1994, Chow teamed up with director
Lee Lik-chi and writer
Vincent Kok for
Love On Delivery, a movie that would only be the sixth highest-grossing movie of the year, a significant step down in status. Fortunately, Chow re-teamed with Kok and Lee again that same year for a James Bond parody he's credited as co-writing and co-directing, and
From Beijing with Love became the number three movie at the annual box office, beaten only by Chow Yun-fat's return to the
God of Gamblers franchise and Jackie Chan's return to the character of a young Wong Fei-hung in
Drunken Master II, a character he'd last played in 1978 in the first
Drunken Master. Around this time, Chow established his own film production company, Choi Sing Company (variously translated as Caixing Film Company and Hong Kong Color Star Film Company), and approached Jeff Lau about writing and directing his next movie. Lau told Chow that if he kept making the same movie over and over again he would never find popularity with female audiences and he needed to play a romantic lead. In a hotel meeting, he pitched Chow on filming a two-part adaptation of the classic Chinese novel,
Journey to the West, and Chow agreed. In order to shoot on Mainland locations the movie became a Mainland-Hong Kong co-production between Chow's Choi Sing Company and Xi'an Film Studios. The remote Xi'an Studios had always encouraged innovation and become home to China's celebrated wave of Fifth Generation arthouse directors like
Zhang Yimou and
Chen Kaige and they were reluctant to work with a commercial, Hong Kong production. The resulting shoot was chaotic, with the Hong Kong crew speaking only Cantonese and the Mainland crew speaking Mandarin. The two films were titled ''
A Chinese Odyssey Part One - Pandora's Box and A Chinese Odyssey Part Two - Cinderella'' and released in January and February, 1995 where they underperformed at the box office, and in the late '90s and early 2000s it became a cult favorite in the Mainland with phrases, expressions, and memes from the two films becoming a foundational part of early Chinese internet culture. This also became known in part as the
Stephen Chow Phenomenon (周星驰现象).
2001–2010: International stardom In 2001, his film
Shaolin Soccer grossed over US$50 million worldwide. Chow won Best Director and Best Actor at the 2002
Hong Kong Film Awards, and the film went on to garner additional awards including a
Blue Ribbon Awards for Best Foreign Language Film and the
Golden Bauhinia Award for Best Picture and Best Director. It was
the highest-grossing domestic film in Hong Kong at the time, grossing $46 million in the Asia region. Comedian
Bill Murray said that the film was "the supreme achievement of the modern age in terms of comedy". His final role film
CJ7 began filming in July 2006 in the eastern Chinese port of
Ningbo. In August 2007, the film was given the title
CJ7, a play on China's successful
Shenzhou crewed space missions—
Shenzhou 5 and
Shenzhou 6. For his work in comedy, he has received praise from notable institutions such as the
Brooklyn Academy of Music, which has called him the King of Comedy.
2010–present: Focus on directing In 2010, he became the executive director and major shareholder of 比高集團 (BingoGroup Limited). In 2013, his film
Journey to the West: Conquering the Demons was the highest-grossing Chinese film of all time. In 2016, his film
The Mermaid broke numerous box office records, and became the highest-grossing film of 2016 in China.
The Mermaid was released in
Vietnam on 10 February 2016. On 14 March, it became the third-highest-grossing film of all time in Vietnam. It has now grossed over US$553.81 million worldwide. Chow became the ninth-top-grossing Hollywood Director in 2016. Chow spent 4 years writing, directing and producing the remake of his 1999 film
King of Comedy, the film was titled
The New King of Comedy, released in February 2019. ==Personal life==