In 1988, Iles became Head of Exhibitions at
Modern Art Oxford, working with director
David Elliott to organize solo exhibitions of
Sol LeWitt,
Marina Abramović,
Louise Bourgeois,
John Latham,
Gary Hill,
Donald Judd, and
Yoko Ono, as well as mixed-media thematic exhibitions
Signs of the Times: Film, Video and Slide Installations in the 1980s (1990),
Scream and Scream Again: Film and Art (1996),
Claes Oldenburg,
Paul McCarthy, Alan Michelson,
Sharon Hayes,
Jack Goldstein, and thematic group exhibitions
Into the Light: The Projected Image in American Art 1964 – 1977, Riverrun, Dreamlands: Immersive Cinema and Art, as well as co-curating both the 2004 and 2006
Whitney Biennial exhibitions. In 2001, Iles curated
Into the Light: The Projected Image in American Art 1964 – 1977, the first survey exhibition of historical film and video installation in America. The exhibition was met with broad critical acclaim;
friezes Michael Wilson called it a "triumph", lauding the "gutsy attempt by the museum's curator of film and video, Chrissie Iles, to make newly visible a critical period in the development of a now commonplace form" and pulling "off the seemingly impossible by allowing illusion to retain its power while simultaneously revealing its source."
Artforum wrote that "it’s a pleasure to return to a moment of joyful infatuation with film". The exhibition was awarded the prize for best theme show in New York in 2001 by the International Association of Art Critics. == Other activities ==