City on Fire received a mixed reception from critics. The novel received praise from Megan O'Grady in
Vogue, who called it "the kind of exuberant, Zeitgeisty New York novel, like
The Bonfire of the Vanities or
The Goldfinch, that you'll either love, hate, or pretend to have read".
Michiko Kakutani of
The New York Times described it as "an amazing virtual reality machine", and credited Hallberg with an "instinctive gift for spinning suspense not just out of dovetailing plotlines and odd Dickensian coincidences but also from secrets buried in his characters' pasts".
Stephen King tweeted about the novel, calling it "massively entertaining", and "as close to a great American novel as this century has produced". Louis Menand wrote in his long review in The New Yorker, "What Hallberg is after is an atmosphere, and he gets it." On the other hand, Elisabeth Vincentelli of the
New York Post called it "overhyped" and "a steaming pile of literary dung". At
The Guardian, Sandra Newman echoed the sentiment of overhype, calling it "a debut of remarkable promise, rather than as the masterpiece that fulfills that promise".
City on Fire debuted at #5 on
The New York Times Bestseller list in the hardcover fiction category on November 1, 2015. ==References==