The artist
Hans Holbein the Younger was dispatched to
Düren to paint portraits of Anne and her younger sister,
Amalia, each of whom Henry VIII was considering as his fourth wife. Henry required the artist to be as accurate as possible, not to flatter the sisters. The portraits are now located in the
Louvre Museum in Paris and the
Victoria and Albert Museum in London. Another 1539 portrait, by the school of
Barthel Bruyn the Elder, is in the collection of
Trinity College, Cambridge. Negotiations to arrange the marriage were in full swing by March 1539.
Thomas Cromwell oversaw the talks and a marriage treaty was signed on 4 October of that year. Henry valued education and cultural sophistication in women (e.g., Anne Boleyn), but Anne lacked these traits. She had received no formal education but was skilled in needlework and liked playing card games. She could read and write, but only in German. Nevertheless, Anne was considered gentle, virtuous and docile, which is why she was recommended as a suitable candidate for Henry. Anne was described by French ambassador
Charles de Marillac as tall and slim, "of medium beauty, and of very assured and resolute countenance." She was fair-haired and was said to have had a lovely face. In the words of the chronicler
Edward Hall, "Her hair hanging down, which was fair, yellow and long ... she was apparelled after the English fashion, with a
French hood, which so set forth her beauty and good visage, that every creature rejoiced to behold her." She appeared rather solemn by English standards, and looked old for her age. Holbein painted her with a high forehead, heavy-lidded eyes and a pointed chin. Anne was initially to travel to England alone with her cortège – the death of her father prevented her brother and mother from travelling – but there were concerns about a beautiful, sheltered young woman who had never travelled by sea making such a journey, especially during the winter. She travelled from Düsseldorf to Cleves, and then to Antwerp where she was received by fifty English merchants. Henry met her privately on New Year's Day 1540 at Rochester Abbey in
Rochester on her journey from
Dover. Henry and some of his courtiers, following a
courtly-love tradition, went disguised into the room where Anne was staying. The chronicler
Charles Wriothesley reported: [The King] so went up into the chamber where the said Lady Anne was looking out of a window to see the bull-baiting which was going on in the courtyard, and suddenly he embraced and kissed her, and showed her a token which the king had sent her for
New Year's gift, and she being abashed and not knowing who it was thanked him, and so he spoke with her. But she regarded him little, but always looked out the window .... and when the king saw that she took so little notice of his coming he went into another chamber and took off his cloak and came in again in a coat of purple velvet. And when the lords and knights saw his grace they did him reverence. According to the testimony of Henry's companions, he was disappointed with Anne, feeling that she was not as described. Although Anne "regarded him little", it is unknown whether she knew this was the King. Henry then revealed his true identity to Anne, and although he is said to have been put off, the marriage preparations proceeded. Henry and Anne then met officially on 3 January on
Blackheath outside the gates of
Greenwich Park, where a grand reception was laid out. Most historians believe that Henry's misgivings about the marriage derived from his assessment that Anne's appearance was unsatisfactory and failure to inspire him to consummate the marriage. He felt that he had been misled by his advisors' praise: "She is nothing so fair as she hath been reported", he complained. He told others in his court that if "it were not that she had come so far into my realm, and the great preparations and state that my people have made for her, and for fear of making a ruffle in the world and of driving
her brother into the arms of the Emperor and the French King, I would not now marry her. But now it is too far gone, wherefore I am sorry." Cromwell received some blame for the Holbein portrait, which Henry believed not an accurate depiction of Anne, and for some of the exaggerated reports of her beauty. Henry urged Cromwell to find a legal way to avoid the marriage but, by this point, doing so was impossible without endangering the vital alliance with the Germans. In his anger and frustration, the King turned on Cromwell, to his subsequent regret. == Marriage ==