Barnes began writing dance criticism in 1949, during his time at Oxford, and afterward, he was a writer and editor for
Dance & Dancers, which he contributed to until its demise in 1998. In 1978, after being asked to fully divest of his role as a drama critic, he was hired by the
New York Post, which allowed him to cover both mediums. The British writer was known for his "lively and enthusiastic approach to criticism" which contributed to an upswing in dance criticism in New York City media. Writing for
Variety, Gordon Cox said Barnes "helped nurture the explosion of the form in Gotham in the 1970s." Regarding television, Barnes once wrote: "It is the first truly democratic culture, the first culture available to everyone and entirely governed by what the people want. The most terrifying thing is what people do want." ==Reception==