Box office Glass grossed $111 million in the United States and Canada and $135.9 million in other territories, for a total worldwide gross of $247 million, against a production budget of $20 million. In the United States and Canada, the film was projected to make $50–75 million from 3,841 theaters over its four-day
MLK Day opening weekend. It made $15.9 million on its first day, including $3.7 million from Thursday night previews, and went on to gross $40.3 million in its opening weekend and $46.5 million over the four days, marking the third-best total for Martin Luther King Jr. weekend (behind
American Sniper and
Ride Along) and of Shyamalan's career. In its second weekend, the film fell 53% to $18.9 million (a steeper drop than
Split's 35%), but it retained the top spot at the box office. The film again finished its third weekend on top, grossing $9.5 million, before finally being dethroned in its fourth weekend, when it finished fifth with a gross of $6.3 million. Internationally, the film was expected to gross $45–50 million in its first weekend, for a total of global opening of $105–120 million. It ended up making $48.5 million from international markets, with a global opening of $89.1 million. It finished first in most markets; its highest-grossing countries were Russia ($5.2 million), Mexico ($4.5 million, the best-ever for a Shyamalan film), the United Kingdom ($4.3 million), France ($3.4 million), and South Korea ($2.8 million).
Critical response On
review aggregator Rotten Tomatoes, the film holds an approval rating of based on reviews, with an average rating of . The website's critical consensus reads: "
Glass displays a few glimmers of M. Night Shyamalan at his twisty world-building best, but ultimately disappoints as the conclusion to the writer-director's long-gestating trilogy." On
Metacritic, the film has a
weighted average score of 43 out of 100, based on 53 critics, indicating "mixed or average" reviews. Audiences polled by
CinemaScore gave the film an average grade of "B" on an A+ to F scale, down from
Splits "B+", but up from
Unbreakables "C", while those at
PostTrak gave it an overall positive score of 70% and a "definite recommend" of 49%. Writing for
Rolling Stone, David Fear gave the film three out of five stars: "
Glass is not the flaming flop some folks have already suggested it is, nor is it the movie you want in terms of tying ambitious,
highfalutin' notions together about how we process our
pulp mythos. In a world in which all movies are now either genocide or ice cream, it's a grand gesture characterized by a sense of ambivalence about what you've just seen – which may in and of itself be a sign of failure".
Owen Gleiberman of
Variety wrote: "It's good to see Shyamalan back (to a degree) in form, to the extent that he's recovered his basic mojo as a yarn spinner. But
Glass occupies us without haunting us; it's more busy than it is stirring or exciting. Maybe that's because revisiting this material feels a touch opportunistic, and maybe it's because the deluge of comic-book movies that now threatens to engulf us on a daily basis has leeched what's left of the mystery out of comics."
Richard Roeper of the
Chicago Sun-Times said the film had "a distinctive look and some pretty cool moments, and a half-decent twist or two" but that it was mostly "an underwhelming, half-baked, slightly sour, and even off-putting finale." John DeFore of
The Hollywood Reporter thought it was "a mixed bag" as a trilogy-closer, saying it does a good job of tying the narrative strands together, but that it tries too hard and fails to provide "something uniquely brainy" to the superhero genre. David Sims of
The Atlantic compared the film to
Batman Returns (1992) and
Incredibles 2 (2018): "I appreciate the sheer brashness of Shyamalan's storytelling, which swirls the
mythmaking inherent in characters such as David with the
emotional scars borne by orphaned characters such as
Superman." The cast were praised, in particular McAvoy, who "once again [was] top notch" and "lit up the screen with his eerie physicality every time he appears." Later, Shyamalan admitted that he cried at the negative reviews for
Glass:"Honestly, I was feeling like, 'Will they never let me be different without throwing me on the garbage pile? The feeling of worthlessness rushed me, and to be honest, it doesn’t ever really leave. But anyway, the film went on, right? It became number one in every country in the world, and it represents my beliefs".
Accolades ==Notes==