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The Well-Tempered Accompanist. Bryn Mawr, PA: Theodore Presser, 1949. Cranmer, Philip.
The Technique of Accompaniment. London: Dennis Dobson, 1970. Dian Baker. “A Resource Manual for the Collaborative Pianist: Twenty Class Syllabi for Teaching Collaborative Piano Skills and an Annotated Bibliography.” DMA doc., Arizona State University, 2006. Elana Estrin. “It Takes Two,”
The Strad 121, no. 1439 (March 2010): 56-62. Gerald Moore.
Farewell Recital: Further Memoirs. New York: Taplinger, 1978. Gerald Moore.
Furthermore: Interludes in an Accompanist’s Life. London: Hamilton, 1983. Gerald Moore.
Singer and Accompanist: The Performance of Fifty Songs. Westport, CT: Greenwood Press, [1973]. Gerald Moore.
The Unashamed Accompanist. Rev. ed. London: Methuen, 1959. Guilherme Montenegro. "Besides playing, we have to teach": pedagogical dimensions in the actuation of the collaborative pianist. Scotland, Glasgow: Proceedings of the 32nd ISME World Conference, 2016. ___________________. "The collaborative pianist and his modes of being and acting: an interview study with professionals in a Brazilian music school". Porto Alegre, Brazil: Proceedings of the 31st ISME World Conference, 2015. Kurt Adler.
The Art of Accompanying and Coaching. Minneapolis, MN: University of Minnesota Press, 1965.
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The Complete Collaborator: The Pianist as Partner. Oxford: Oxford University Press, 2009. Robert Spillman.
The Art of Accompanying: Master Lessons from the Repertoire. New York: Schirmer Books, 1985. Ruthann Boles McTyre.
Library Resources for Singers, Coaches, and Accompanists: An Annotated Bibliography, 1970-1997. Westport, CT: Greenwood Press, 1998. ==Music festivals==