Eugène Grasset was active in the
Salon des Cent. He first tackled the Art Nouveau poster style in his posters for the 1894
Salon des Cents. The second exhibition, which opened on 3 April 1894, was entirely devoted to his works. A special edition of
La Plume of 15 May 1894 was dedicated to Grasset. The poster by
Georges de Feure for the fifth
Salon des Cent announced the themes that would dominate painting in the following years, and has been widely reproduced. In many ways it copies the poster for the second Salon. It reflects de Feutre's interest in medieval times. The poster, filling the frame with a bold composition, shows a simply-dressed young woman gazing thoughtfully at an umbel of
angelica. In January 1895 Mucha's Art Nouveau poster for
Sarah Bernhardt as
Gismonda was displayed across Paris. The next year Mucha created the poster for the 20th
Salon exhibition, which opened on 22 April 1896. When Léon Deschamps saw the draft he told Mucha, "Execute this design just as it is, and you will have created the masterpiece of the illustrated decorative poster." In June 1897 the
Salon put on an exhibition dedicated to Mucha. Some of the posters by Mucha and Grasset were printed in very limited editions on silk satin.
Georges de Feure exhibited for the first time at the fourth
Salon des Cent, which took place at the
Boulogne-sur-Mer Casino for the whole month of August 1894. The fifth exhibition, at 31 rue Bonaparte from 5–30 October 1894, exhibited almost the same works. Georges de Feure was to exhibit at the
Salon for several years. Léon Deschamps and
La Plume played a major role in the artistic development of his posters. Toulouse-Lautrec exhibited several times at the
Salon des Cent between 1895 and 1898. Lautrec's
La Passagere du 54 – Promenade en Yacht was used as the poster for the 1896 opening of the International Poster Exhibition at the Salons des Cent. His series
Elles was exhibited as a whole for the first time in 1896 at the 20th
Salon exhibition.
James Ensor exhibited some of his etchings at the
Salon in 1898, using an 1888 drawing called
Demons teasing me as a poster for the exhibit.
La Plume published a special edition to accompany the show that included several articles praising his work. This was Ensor's first one-man exhibition outside Belgium. Other posters included classic
Art Nouveau images by
Paul Berthon,
Fernand Fau,
Arsène Herbinier and
Firmin Bouisset. Notable artists who showcased at the
Salon des Cent also included
Albert André,
Pierre Bonnard,
Frédéric-Auguste Cazals,
Edgar Degas,
Henri Evenepoel,
Henri-Gabriel Ibels,
Gustave-Henri Jossot,
René Lalique,
Henri Matisse,
Gustave Moreau and
Louis Valtat. ==Gallery==