Aspects of colourist painting can be found in a number of art styles and movements that developed in the years after Impressionism. Notably, the Fauvists of the early 20th century are seen as the movement which brought Colourist painting to prominence. Many of the Fauvists were interested in
colour theory, especially with the relationship between
complementary colours. Artists such as
André Derain and
Henri Matisse, the founders of Fauvism, are known for their use of bold, sometimes unnatural colours. Similarly, the Expressionist movement of the 20th century is also known for its use of intense colour. While experimentation with art and art styles was quite popular in France, other countries had their own experimental art movements. One such movement was the
Kapists, a group of Polish Colourists in the interwar period, who made colour one of the central elements in their painting. Much like the Impressionists, the Kapists were interested in the relationship between colors, specifically in their contrasts and complements. Another group known for their use of colour is the
Scottish Colourists, a group of four painters whose work was highly influenced by movements such as Impressionism and Fauvism. Like other Coulourist painters, this group was known for their interest in the relationship between light and colour as well as painting
en plein air, while still expressing individual styles within their works. The
Color field painters, a group of American abstract artists in the mid-Twentieth century, also used colourist techniques, using colour to represent the subjects of their paintings rather than actually depicting the subject itself. When it comes to individual styles,
Pierre Bonnard was a Colourist painter, known for putting emphasis on the relationship of the subjects of his art with light and colour. He was part of a Parisian artist group,
the Nabis, who were known for their
decorative painting full of colour and patterns. ==See also==