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Jupiter's Legacy (comic)

Jupiter's Legacy is an American superhero comic book series, first published in 2013, written by Mark Millar, drawn by Frank Quitely, colored and lettered by Peter Doherty and published by Image Comics. Published as a series of eponymous limited series and interstitial prequel miniseries, it is to date the longest series that Millar had published as part of his Millarworld line of creator-owned comics, spanning an issue run three times as long as his then-most recent series, Supercrooks and Nemesis. It was also the first collaboration between Millar and Quitely since their work on The Authority in 2001, and Quitely's first long-form work with a writer other than Grant Morrison.

Publication history
signing copies of ''Jupiter's Legacy'' #1, featuring the Frank Quitely and Bryan Hitch covers, at Midtown Comics in Manhattan == Development ==
Development
''Jupiter's Legacy was initially planned to be titled Jupiter's Children.[1][2][3] The original concept for the series was developed by writer Mark Millar after reading the memoirs of Star Wars'' actress Carrie Fisher. In her memoirs, Fisher noted that despite her fame as Princess Leia, she did not feel exceptional because her parents were even more famous. This observation led Millar to reflect on the challenges of living up to parental expectations, noting that even a character such as Princess Leia could experience a sense of inadequacy in comparison to previous generations.[4] Millar described the story as reflecting a generational conflict similar to that depicted in Hamlet. One of the central themes of the series explores the experience of growing up as the children of iconic superheroes, comparable to figures such as Wonder Woman and Superman, and the difficulty of maintaining the legacy established by earlier generations. The series was conceived as a large-scale narrative focused on superheroes while also examining their relationship to the American ideal. Millar cited several influences on the development of the series, including Star Wars, King Kong, origin stories from the Golden Age of Comics, and elements of Roman mythology. The title Jupiter was chosen because of its association with grandeur and mythological symbolism, reflecting the intended epic scope of the story. Millar aimed to modernize these themes by combining classical mythological elements with contemporary imagery and a narrative structure inspired by Wagnerian traditions. Additional themes and motifs explored in the series include the dawn of humanity, the origin of Earth, and contemporary concerns related to the global economy and the potential decline of capitalism. Millar explained:[5] Asked about the pulp era opening scenes of issue one, in which the group of protagonists charter a boat to journey to a mysterious island, Millar explained that King Kong is his favorite film, and that the sequence in which that film's characters travel to Skull Island is "one of the greatest ever". Millar further explained that he wanted to give the characters a superhero origin that was more both mythical and simple, such as the Golden Age Green Lantern and the Silver Age Flash, instead of grounding it in real world science. The mystery of what exactly happened to the protagonists of ''Jupiter's Legacy'' on the island in 1932 is gradually revealed during the course of the miniseries, In October 2012 Millar stated that his intention for the series was to have it produced as closely as possible to a monthly schedule, which he predicted would mean an issue published every six weeks, and that after the first five issues, which represents Book One of the story, there would be a break of a few months for the creative team to catch up, before resuming with the second half. Millar announced that the entire series would be released over the course of 20 months, for 10 – 12 issues in total. However, issue 4 was not published until January 1, 2014, and issue 5 was not published until January 14, 2015. In response, Millar announced that beginning in April 2015, all Millarworld titles would be completely drawn before the publication of their debut issues, to ensure a monthly schedule. The first three issues of the series are collected in ''Jupiter's Children: Giant-Sized Edition'' #1, which was published on December 26, 2013 for $3.99. In October 2014 Millar revealed that he would expand the universe of ''Jupiter's Legacy with Jupiter's Circle, a ten-issue prequel set in 1959, when the Utopian, Lady Liberty and their contemporaries were in their prime, The first issue debuted in April 2015. Frank Quitely provided covers and character designs for the prequel, while its interiors are illustrated by Wilfredo Torres and Davide Gianfelice. Following the conclusion of Book One of the Jupiter's Circle, it was indicated that Millar would publish Book Two of the parent series, Jupiter's Legacy''. ==Synopses==
Synopses
This links to a chronological list of story arcs in ''Jupiter's Legacy, its prequel series Jupiter's Circle, later rebranded as Jupiter's Legacy Volumes 1 and 2, and its sequel series, Jupiter's Legacy: Requiem and Jupiter's Legacy: Finale. The first, five-issue volume of Jupiter's Legacy'' premiered in April 2013, and was published monthly by Image Comics. ==Characters==
Characters
The first generation Sheldon Sampson/The Utopian – A patriotic American who lost everything in the Stock Market Crash of 1929, and who in 1932 charters a boat to a mysterious island 600 miles west of Cape Verde after the island appears to him in a dream. Sheldon, who believes that the United States was the greatest idea in human history, and for whom the United States Constitution is sacred, is convinced that the island holds gifts that will return the country to greatness. After journeying to the island with his brother Walter and a group of five old college friends, including his future wife Grace, he becomes a Superman analogue named the Utopian, with headquarters located in New York City. Sheldon's first wife is a television executive named Jane, who is good friends with Grace in the 1960s. Jane had thought Sheldon would have proposed to Grace after they acquired their superhuman powers, as Grace's family was as rich as Sheldon's, and she long harbored a crush on him, but as Sheldon tells Jane, he was not in love with Grace. However, Sheldon and Jane, who are unable to bear children, eventually divorce, and by 2013, he and Grace are the married parents to Chloe and Brandon, whom Sheldon views as shallow celebrities, feeling that he has failed them as a parent. He approaches crises reactively and leads by example, though he is criticized by Walter and the younger generation as old-fashioned and out of touch. Sheldon leads the Union according to a strict moral code, suspending Walter's son Jules from the main team for dating a woman that he rescued from a fire. He also believes that superheroes should not unilaterally interfere in the actions of their government but should obey their elected leaders, which puts him into conflict with Walter, Sheldon can survive in the vacuum of space indefinitely, and can fly 170 million miles in less than three hours in the 1960s, allowing him to travel at least as far as the Jovian moon Europa. He can also create a telekinetic bubble around himself and others, and use it to carry a quantity of breathable air to areas of vacuum so that non-superhumans inside the bubble can survive. His sense of hearing is so acute that even in the thin atmosphere of Europa, he is able, in 1965, to pick up an ultra-high frequency, low pulse-beat signal broadcast by a handheld transmitter 1,000 miles under the moon's surface that is inaudible to the normal human ear. – Sheldon's brother who, after visiting the island in 1932, The only person on whom Walter's telepathic powers do not work is Sheldon, Like Sheldon, Walter can travel to and survive at the altitude of orbital satellites. Walter advocates more direct political activism on the part of superheroes and feels that they need to fix the ailing economy and tell President Obama what he should be doing in his second term. with connections in the Hollywood entertainment scene, he hails from a prominent political family in San Francisco. He is also a closeted homosexual who patronizes male prostitutes. Richard's friend Katharine Hepburn opines that regardless of the lavender marriages in Hollywood during that time, Richard, by virtue of risking his life for others every day, should not have to hide his homosexuality. When FBI Director J. Edgar Hoover discovers Richard's secret life, he attempts to blackmail Richard, threatening to ruin his life if he does not reveal his teammates' secret identities. and the ability to project yellow energy blasts that can burn a target or knock a superhuman opponent unconscious. the youngest of which, his younger son, was an infant during the timeline of ''Jupiter's Circle'' #1. After she begins a relationship with Walter, George leaves his estate to Sheldon, cuts all ties with the team, ends his superhero career, and moves to Kentucky, where he lives incognito. He is defeated through the intervention of Skyfox, who rescues the Union and restores their powers. The second generation Chloe Sampson – Sheldon and Grace's daughter. has not followed in their footsteps as a superhero, preferring instead a socialite's life of nightclubs and drugs. She believes she is frequently in conflict with her mother because her mother is irritated by Chloe's non-confrontational nature, and instead engages in charity work, thinking it will please her, but Chloe's brother Brandon believes she cynically participates in indiscriminate endorsement work for personal gain and to curry favor with their mother. Chloe also laments how perfect her parents are, regretting that she will never be as "cool" as her father or as attractive as her mother. She prefers dating "disappointing bad boys" rather than superheroes because the latter would be akin to "dating her father", and according to her therapist, she does not maintain proper relationships because she always compares her relationships to her parents' idealized marriage. Brandon Sampson – Sheldon and Grace's son. Jeff – Jeff first appears in ''Jupiter's Circle'', where he is introduced as a nephew to both George/Skyfox and Fitz/Flare, and a member of the teenage superhero group Teen Scene, a group whose activities are funded by George. He has the ability to transmute matter on a molecular level, enabling him to change one substance into another. For example, he once rearranged all the air molecules in an office into a gas similar to methoxyflurane, rendering every non-superhuman in the office unconscious (though he himself was immune to this). He can transmute air into a hard substance in order to create barriers from attack, and transmute concrete into tendrils with which he can attack opponents. Other applications of this ability include the formation of an unidentified pink substance that he can conjure for different functions, including a lighter-than-air platform beneath his feet that allow him to levitate himself, and as a restraining device, one strong enough to immobilize Joan Wilson, a superhuman who once grew to the height of a building. Wolfe carries a walking stick, and has been depicted using it to manifest his abilities, as when, for example, he negated the flight ability of a fleeing Jason Hutchence, though it was not made clear which ability he used to do this. He attempts to apprehend Chloe and her family in issue 5, but they manage to escape him. He has also married Neutrino (Gabriella) and the two have a daughter together, Maisie. Sophie Hutchence – Sophie is Chloe and Hutch's only daughter. ==Critical reception==
Critical reception
Main series The series holds an average critics' rating of 8.2 out of 10 at the review aggregator website Comic Book Roundup. David Brothers of ComicsAlliance thought the issue "fell short". While Brothers complimented some aspects of the writing and art, such as the 1932 scenes and the psychic paintings, he felt that Millar's characterization and his take on realistic superheroes in the modern scenes was unoriginal, his dialogue in the modern scenes unnatural, that Quitely's characters were not well-designed, and that the book lacked the spectacle by Millar that would've given a better opportunity for Quitely and Doherty to have effected better work. Patrick Hume of Newsarama gave the issue an 8 out of 10, calling it an effective, absorbing and smart superhero story that pushes the boundaries of the genre. Hume noted the presence of Millar's trademark black humor and "full-throttle action", as well as "a maturity and thematic sophistication that has not been apparent in other recent work". Though Hume thought some of Millar's delivery of the issue's ideas was at times heavy-handed, he was impressed enough by the book to continue with it. Hume also thought that Quitely's more defined, gritty, more intimate art was better-suited to the story than the large-scale, widescreen action he effected on The Authority. Doherty's subdued color palette was also noted by Hume. Jim Johnson of Comic Book Resources, who gave the issue an 8.0, took notice of the sense of wonderment exhibited by the 1930s "pulp-ish, old school feel" of the bedtime story that Chloe tells Jason, and the contrast with the cold, fascist reality of the present surveillance state in which the family lives, which Millar and Quitely effected with the full-page illustration of the monitoring station hovering over their neighborhood. Soup Owens-Fowler of Geeked-Out Nation gave the issue a 5.0, saying that after months of waiting for the issue to be published, the issue was a disappointment, despite the depiction Chloe and Hutch teaching Jason to hide his abilities, which provided some enjoyable moments. Owens-Fowler though there should have been more establishing shots of the current dystopia, and also thought that Frank Quitely did not provide his best work despite having months to work on it, calling the art "serviceable", but not as impressive as in past comics, the mysterious alien college being a notable exception. Issue 5 Issue 5 holds an 8.8 rating at Comic Book Roundup. Erik Gonzalez of All-Comic.com, who rated the book a 10, lauded the issue for the character introspection, the family drama exhibited in the lunar scene with Chloe and Jason, and the manner in which Frank Quitely rendered the character's facial expressions, and the realism of the superhuman battle. He also praised Pete Doherty's colors. Jesse Schedeen of IGN gave the issue a score of 8.2, criticizing the story as lacking anything compelling enough to justify the 10-month wait for the issue. Nonetheless, Schedeen thought Barnabas Wolfe was a "fun new villain", and praised Quitely's use of posture and body language. All the other reviews counted at Comic Book Roundup gave the issue a score of 8.0 or higher except for Lido Giovacchini of Front Towards Gamer, who gave it a 6.5, the issue's lowest score at the Roundup. Though overall Lido enjoyed the earlier issues' themes of youth disenfranchisement, he felt that the storyline's shift towards the dystopia created by Walter and Brandon's totalitarian regime made it less interesting and unique than it earlier had been. Lido stated that while Millar is skilled at story structure and plotting, he did not think that he is equally proficient at imbuing his stories with depth and meaning, calling the latter "misinformed" and "sophomoric". Volume 2 The second volume of ''Jupiter's Legacy'' (June 2016 – July 2017) holds a critics' rating of 8.6 at Comic Book Roundup. Prequels and sequels The spinoff ''Jupiter's Circle holds a rating of 7.3 out of 10 at Comic Book Roundup. The second volume has an average rating of 8.3, based on 22 reviews of its six issues. The 2021 sequel series Jupiter's Legacy: Requiem'' also yielded positive critical reception, with the debut issue garnering a 7.9 from 6 reviews, and the subsequent two issues both garnering ratings of 9.6, each from a single reviewer. ==Collected editions==
Collected editions
Following the acquisition of MiIllarworld by Netflix and subsequent production of the ''Jupiter's Legacy TV series, the original collections of the comic series and sequels were republished under the title of Jupiter's Legacy''. ==In other media==
In other media
On April 8, 2015, The Hollywood Reporter announced that Mark Millar and Lorenzo di Bonaventura had partnered to develop the comic into feature films. Lorenzo explained his attraction to the property thus: "What appealed to me was the emotional weight of the family dynamic in Shakespearean fashion." Director James Gunn would later convince Millar that the story worked best as a television series instead of a film, on account of the story's density, which needed a more long-form medium to be told. On July 17, 2018, it was announced that Netflix had approved a television adaptation of the comic book series, with a series order for a first season. The series was created by Steven S. DeKnight, who is credited as an executive producer alongside di Bonaventura and Dan McDermott. DeKnight was originally the showrunner, before stepping down due to creative differences and was replaced with Sang Kyu Kim, in addition to writing and directing the first episode. The series premiered on May 7, 2021. On June 2, 2021, it was reported that Netflix had cancelled the series, though it also announced it would be developing a live action adaption of another one of Mark Millar's comics, Supercrooks, According to Deadline, Supercrooks would be set in the same fictional universe as Legacy, though Millar was confident that the latter would eventually return, albeit in some other form. ==References==
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