Marvel Unlimited Marvel began releasing comics over the internet in 1996 with
Marvel CyberComics. This was later replaced by DotComics under the tenure of
Bill Jemas. This would grow to a size of dozens of comics by 2002. However, it would later be limited to a mere twelve comics by 2004. Marvel Digital Comics was announced in 2005 as a replacement to its DotComics. However, it utilized the same
Flash-based interface with only minor updates, while decreasing the comics available from twelve issues to four issues. At this time,
Editor-in-chief Joe Quesada speculated on the possibilities of adding animation to the comics, which would be realized in 2009 with the release of
Spider-Woman as a
motion comic. Digital Comics only grew modestly and reached over twenty-four comics in April 2006, until finally it relaunched in November 2007 as Marvel Digital Comics Unlimited. Unlike earlier initiatives, Marvel Digital Comics Unlimited was a subscription service with over 2,500 comics available to subscribers, with new comics added on a weekly basis. A small portion of the library was made available for free in an attempt to entice viewers to subscribe to the service through either its monthly or yearly plans. In response to fears from comic sellers,
Dan Buckley promised that there would be at least a six-month delay from when a comic is published in print and when it is made available on Marvel's Digital Comics Unlimited. However
Marvel Comics modified this policy in 2008 with the release of
Secret Invasion: Home Invasion. This was released online first as a tie-in with the
Secret Invasion event. Digital comic exclusives would be broadened to include non-event comics. The initial release of exclusives included a
Fin Fang Four story by
Scott Gray and
Roger Langridge,
Marvels Channel: Monsters, Myths and Marvels by
Frank Tieri and Juan Santacruz,
American Eagle: Just a Little Old-Fashioned Justice by
Jason Aaron and
Kid Colt by
Tom DeFalco. On October 13, 2009, Marvel launched an upgraded version of the comic viewer, dubbed the Marvel Digital Comics Unlimited Reader 3.0. The new digital comics reader added a number of new features including full screen mode, thumbnails for all pages, and easier ways of finding books related to the one being read. It then published a daily series of "lost"
Captain America comic strips that were actually modern creations written by
Karl Kesel. A three-part
Galacta story was also published digitally following it winning the vote to see which was the most popular story in
Marvel Assistant-Sized Spectacular. In March 2013, Marvel announced that the service would be renamed from Marvel Digital Comics Unlimited to Marvel Unlimited, and that the service would expand to
iOS devices. On October 19, 2020, Marvel announced the six-month release delay would be shortened to only three months with over 28,000 Marvel comics available on the service. In September 2021, the Marvel Unlimited app was redesigned and featured more than 29,000 comic books. In July 2022, Marvel announced that more than 30,000 comics were made available to read on Marvel Unlimited.
Infinity Comics On September 9, 2021, Marvel Comics introduced the
Infinity Comics brand, which are digital comics exclusive to Marvel Unlimited. These comics release weekly and differ from the standard page turn by using a vertical scroll to advance reading. Marvel's Infinity Comics launched with 27 series exclusive to the service. Over 100 issues were planned by the end of 2021. In September 2022, Marvel announced that within one year "the Infinity Comics lineup has grown to over 350 issues." On June 15, 2023, VP of Digital Media for
Marvel Entertainment Jessica Malloy said, "Our strategy with Marvel’s Infinity Comics (our version of webtoons) is to bring fans an immersive way to experience Marvel stories in a vertical format that works on all types of devices, but optimized for phones. The Infinity Comics format allows our creators to innovate with storytelling in continuity and outside of it. We’re not locking into one type of genre or character set, rather experimenting to understand what resonates the best. With this strategy we aim to provide something for everyone to enjoy." == Reception ==