Confessions of a Pop Performer

Sidney overhears a band in his local pub and aspires to be their manager, not so ably assisted by his brother-in-law, Timmy, both still window cleaning for a living. They rename the band Kipper and after a misfortune, Timmy joins the line-up and many sexual encounters follow as a result. Unfortunately, Timmy's natural talent is more mayhem than rock star and disaster ensues of mostly the semi-clothed kind. ==Cast==

Confessions of a Pop Performer was the only film in the series to spawn a soundtrack album (Polydor 2383350), with musical numbers produced by Ed Welch, and credited to the film's fictional groups Kipper and The Climax Sisters, the latter played by Diane Langton and Linda Regan in the film, although Sue Martine provides Regan's singing voice. All lead vocals for Kipper were sung by Maynard Williams. The album also includes music from Confessions of a Window Cleaner (1974) and in-character ‘Timmy Chat’ from Robin Askwith Side 1 • "Confessions of Timmy Tea (Three's a Crowd)" • "Timmy Chat" (Robin Askwith) • "The Clapham" (Kipper) • "Oh Sha La La" (Kipper) • "Accidents will Happen" (Kipper) • "Timmy Chat" (Robin Askwith) • "I Need You (like a hole in the head!)" (The Climax Sisters) • "Kipper" (Kipper) • "Timmy Chat" (Robin Askwith) Side 2 • "Hell of a Fuss" (Teddy Palmer and the Rumble Band) • "Pop Performer Medley ("Fire and Foam", "See Though Jazz", "The Crash", "Timmy Goes Shopping", "Theme for Truncheon and Helmet") • "Timmy Chat" (Robin Askwith) • "This is your Life" (Three's a Crowd) • "Charlie Snowgarden" (Sam Sklair) • "Timmy Chat" (Robin Askwith) • "Confessions of Timmy Tea (reprise)" (Three's a Crowd) == Critical Reaction ==

The Monthly Film Bulletin said "Creaky gags, overly familiar slapstick routines, sniggering innuendo, grimly leaden mugging and a nervously regular injection of titillating sequences on the lines of the average German sex comedy: the follow-up to the huge box-office success of Confessions of a Window Cleaner is everything one has come to dread in British comedy. With hindsight, there seems to be a certain inevitability about this crossing of the Carry On series (now well into middle age) with the ethos of the working class anti-heroes that emerged in the early Sixties: Sidney James has found his younger alter ego in the charmless Robin Askwith, a kind of callow reductio ad absurdum of the early Albert Finney/Tom Courtenay characters. In this light, the trundling out of the gorilla suit from Morgan seems to be a particularly cynical nail driven into the coffin." Variety wrote: "It's simple-minded stuff. Most of the jokes are laid on with a trowel, though some sight gags devised by Cohen and scripter Christopher Wood  ... work well enough. The sex is invariably frenzied and ultimately monotonous. The ironic and unexpected are notably absent in all the nonsense. Askwith is reasonably appealing as the callow sex object, though it's hard to fathom his unerring magnetism for the femmes, even in this fantasy context. Booth is okay as the scheming brother-in-law, and both Doris Hare and Bill Maynard have winning moments as young Lea's parents. Sheila White is good as his sister. Technical credits are all proficient, and the film is well-paced for the market it figures to reach." The Radio Times Guide to Films gave the film 1/5 stars, writing: "Robin Askwith abandons his window-cleaning round to help organise a tour for a band of no-hopers and finds himself knee-deep in groupies (the finale at the Palladium has to be seen to be believed). Askwith struggles with a dismal script and comes off much better than Tony Blair's father-in-law, Anthony Booth." ==References==