He was born in
Nuremberg to a family of craftsmen. His musical ability must have become apparent early, for he received an excellent training with the support of aristocratic patrons. In 1447 he became the official town organist of Nuremberg, and the councilors even issued orders for him not to leave without their permission. As rebellious as he was talented, Paumann left what was probably a stifling environment, traveling secretly to
Munich in 1450 where he was immediately employed by
Duke Albrecht III as court organist, who also gave him a house. Munich was officially his home for the remainder of his life, although he began to travel extensively. While exact records of his travels do not remain, they were clearly extensive, and everywhere he went he was greeted with astonishment; his renown as a performer and composer grew.
Milan and
Naples both made him attractive job offers. His travels in
Italy were probably around 1470, when the Milanese
Sforza family was beginning to build their chapel into the most impressive singing and composition establishment in Europe:
Josquin des Prez,
Loyset Compère,
Alexander Agricola and others were all there; some of them may have heard him play, and may have exchanged musical ideas with him. In
Mantua he was knighted; in
Landshut he performed for the Burgundian duke
Philip the Good; in
Ratisbon he performed for
Emperor Frederick III. During this time he also had numerous students. Unquestionably his influence had much to do with the subsequent development of a culture of organ-playing and composition in Germany, a tradition which culminated in the 18th century with the work of
J.S. Bach. Paumann's epitaph in the
Munich Frauenkirche reads: Paumann's gift, his disability, his instrument, and his influence are all reminiscent of
Francesco Landini, the great
Italian composer of a hundred years before. ==Music and influence==