Constance Jocelyn Ffoulkes (1858–1950) was a British art historian, translator, and scholar of Italian Renaissance art. She participated in the adoption of the 'historical standpoint' method of research, a shift in art criticism that emerged in the early twentieth century. She was a student of Giovanni Morelli and his methods of connoisseurship, which involved assembling subtle clues and recognition of personal technique, the artist's 'hand', to determine a work's provenance and creators. She translated Morelli's Kunstkritische Studien über italienische Malerei and was instrumental in the communication of Morelli's methods and legacy.