Continuum for harpsichord is a musical composition by György Ligeti composed in 1968, and dedicated to the contemporary harpsichordist, Antoinette Vischer. The composer describes the conception and result of its technique:I thought to myself, what about composing a piece that would be a paradoxically continuous sound, something like Atmosphères, but that would have to consist of innumerable thin slices of salami? A harpsichord has an easy touch; it can be played very fast, almost fast enough to reach the level of continuum, but not quite. As the string is plucked by the plectrum, apart from the tone you also hear quite a loud noise. The entire process is a series of sound impulses in rapid succession which create the impression of continuous sound.