The building is said to be the last example of Neoclassical architecture in Northern Europe. It typically juxtaposes squares and circles, light and darkness and the horizontal with the vertical. Its interior is inspired by the
Renaissance architecture of southern Europe and by
Baroque decorations. There are also features based on Roman craftsmanship and on
Art Deco. The outside of the building is intentionally austere, intensifying the attraction of the colourful, well-formed features inside, including dark
terrazzo flooring and oversized door and window frames so meticulously crafted. The round courtyard, in width, is surrounded by a colonnade consisting of 44
Doric columns. The small square-shaped courtyard, dominated by eight colossal pillars, contains a sculpture of the "Snake Killer" (
Slangedræberen) by
Einar Utzon-Frank. When it opened in 1924, the building was a masterpiece of its genre. It was nonetheless the subject of considerable criticism by those who felt it was an anachronistic symbol of power at a time when
Functionalism was becoming the style of the times. ==Cultural references==