Soundtrack to a Coup d'Etat

One February morning in 1961, singer Abbey Lincoln and drummer Max Roach protested at the UN Security Council after the murder of prime minister Patrice Lumumba of the newly independent Congo. Sixty yelling protesters throw punches, slam their stilettos and provoke a skirmish with unprepared guards as diplomats look on in shock. Six months earlier, sixteen newly independent African countries are admitted to the United Nations, shifting the majority vote away from the old colonial powers. Soviet leader Nikita Khrushchev speaks in opposition to the neo-colonial power grab unfolding in the Republic of the Congo (Léopoldville) (modern DR Congo). Denouncing America's color bar and UN complicity in the overthrow of Lumumba, he demands immediate decolonization worldwide. To retain control over the riches of what used to be the Belgian Congo, King Baudouin of Belgium finds an ally in the Eisenhower administration, which fears losing access to one of the world's biggest known reserves of uranium, a metal vital for the creation of atomic bombs. Congo-Léopoldville takes center stage to both the Cold War and the scheme for control of the UN. The US State Department swings into action: jazz ambassador Louis Armstrong is dispatched to win the hearts and minds of Africa. Unwittingly, Armstrong becomes a smokescreen to divert attention from Africa's first post-colonial coup, leading to the assassination of Congo's first democratically elected leader. Malcolm X stands up in open support of Lumumba and his efforts to create a United States of Africa while also reframing the freedom struggle of African Americans as one not for civil rights but for human rights, aiming to bring his case before the UN. As Black jazz ambassadors are performing unaware amidst covert CIA operatives, the likes of Armstrong, Nina Simone, Duke Ellington, Dizzy Gillespie and Melba Liston face a painful dilemma: how to represent a country where segregation is still the law of the land. Jazz and decolonization are entwined in this forgotten episode of the Cold War, where the greatest musicians stepped onto the political stage, and downtrodden politicians lent their voices as inadvertent lead singers. This story of the undermining of African self-determination is told from the perspective of Central African Republic women's rights activist and politician Andrée Blouin, Irish diplomat and enfant terrible Conor Cruise O’Brien, Belgian-Congolese writer In Koli Jean Bofane, and Nikita Khrushchev himself. ==Cast==

One of Johan Grimonprez inspirations for making the film was his fascination with Nikita Khrushchev's shoe-banging incident. The film, made entirely with archival footage, was edited using Adobe Premiere Pro and color corrected with DaVinci Resolve. ==Release and reception==

The film premiered at the 2024 Sundance Film Festival as part of the World Documentary Competition where it received the Special Jury Award for Cinematic Innovation. The jury described the film as "a bold and ambitious way to grapple with a complex story. It bursts into our consciousness using multiple storytelling forms, taking a concealed history and making us see it differently." Reception Shortly after the film's premiere at Sundance, it was championed by critic Alissa Wilkinson of The New York Times, who wrote "I can't stop thinking about the remarkable 'Soundtrack to a Coup d’Etat,' a sprawling film that's a well-researched essay about the 1960 regime change in the Democratic Republic of Congo and the part the United States, particularly the C.I.A., played." She later described the film as "marvelous". Wilkinson ranked the film 4th in her list of the Top 10 Best Films of 2024, writing that it was "both a multimedia dissertation and a dizzying accomplishment." The film was nominated for Best Documentary Feature Film at the 97th Academy Awards. Marya E. Gates wrote on RogerEbert.com: "A searing video-essay… Watching the doc evokes the same intellectual and visceral feeling one gets from reading a dense work of nonfiction…For many it will be an eye-opener." David Opie for IndieWire: "A vibrant film essay that marries jazz and politics… Grimonprez’s doc has an impressionistic flair that asks audiences to actively participate in piecing everything together... It’s a stirring rally that’s uniquely cinematic in the way so many elements come together so precisely and yet still feels so organic as well." Lovia Gyarkye for The Hollywood Reporter: "Soundtrack to a Coup D’Etat plays like a syncopated thriller." The film has been picked as one of the "10 Best Movies From the 2024 Sundance Film Festival" by Rolling Stone. It has also been shown at MoMA's Director's Fortnight and at the 2024 edition of Cinéma du Réel. ''Soundtrack to a Coup d'Etat'' was nominated for the Gotham Awards, the Critics Choice Doc Awards, Cinema Eye Honors, European Film Awards, IDA Doc Awards, and the Film Independent Spirit Awards in the Best Documentary category. Screen Daily ranked ''Soundtrack to a Coup d'Etat as the best film of 2024. It was also ranked 2nd in the film category of the Best of 2024 list from Artforum''. The film was included in a New York Times list of ideal nominees for the 97th Academy Awards. In June 2025, IndieWire ranked the film at number 71 on its list of "The 100 Best Movies of the 2020s (So Far)." In December 2025, Morgan Bassichis in an interview for Vulture had Soundtrack to a Coup d'Etat as one of his favorite movies of the year. Declaring that: "[F]eels like one of the most important films I’ve ever seen [...] and I hope it becomes core curriculum in every discipline, forever." The film is featured as the best music documentary of 2025 on a list made by the journalist Sam Richards for Uncut Magazine. He writes: "The best film you’ll ever see about the Congo, the CIA and jazz." The filmmaker Caveh Zahedi listed Soundtrack to a Coup d'Etat as one of the ten best films of the 21st century. Accolades ==Distribution==

Kino Lorber picked up Soundtrack to a Coup d’Etat from Submarine Entertainment at the Cannes film market. Lorber senior vice President Wendy Lidell negotiated the deal with Matt Burke of Submarine. Mediawan Rights is handling international sales for the film and has already inked multiple territories including Australia (Madman), Benelux (Imagine), Brazil (Bela Artes Grupo), Greece (Cinobo), Italy (I Wonder Pictures), Spain (Filmin), Thailand (Documentary Club), UK/Ireland (Modern Films) and ex-Yugoslavia (Beldocs). Kino Lorber will partner with specialist streamer Kanopy on the U.S. release of the film. == See also ==