Paul Byrnes, writing in the
Sydney Morning Herald, referred to
Crackerjack as "a good-natured comedy...in which there's a nostalgia for our lost honour ... This nostalgia for an Australia of mateship and communal spirit is the film's main surprise. This is a broad comedy with a televisual style – including some dreadful mugging to camera – so who expected social critique as well? The movie is about Jack getting knocked off the donkey, like St Paul. Jack grows to manhood through bowls. This field of green becomes his Gallipoli, in a way, as a bunch of senior citizens teach him about honour, fidelity, and teamwork." Megan Spencer, reviewing the film for
Triple J, gave the film a positive review: "Yes,
Crackerjack is a familiar journeyman story, but it is one that rings true with some generously observed comedy and pathos, a film that unlike its Aussie cousins
The Dish,
Welcome To Woop Woop,
The Castle,
Siam Sunset etc. etc.... it doesn't patronise its characters, nor over-exploit the 'middle Australia' culture in which it is set."
David Stratton, writing in
Variety, was less enthusiastic, referring to Crackerjack as "a middling comedy which fails to live up to its explosive title ... A pleasant enough screen personality, Molloy is, however, barely able to carry such a modest project ... Stronger support comes from a fine ensemble of vets, especially saucy octogenarian
Esme Melville ... and
John Flaus as the club's most enigmatic member." When
Crackerjack was first screened on free-to-air television,
Network Ten ran station promotions over the film's end credits, obscuring most of the postscript narration by the character Jack. Interviewed by ABC TV's
Media Watch, Mick Molloy expressed his annoyance. ==Filming==