4:["$","div",null,{"className":"min-h-screen bg-white flex flex-col","children":[["$","div",null,{"className":"px-6 pt-6 pb-4 border-b border-gray-100","children":[["$","div",null,{"className":"flex items-center gap-1.5 text-xs text-gray-400 mb-4","children":[["$","a",null,{"href":"/","className":"hover:text-[#26a69a] transition-colors","children":"Market"}],["$","span",null,{"children":"›"}],["$","span",null,{"className":"text-gray-600","children":"Crash 'n' Burn (1977 film)"}]]}],["$","div",null,{"className":"text-[10px] text-gray-400 uppercase tracking-widest mb-1","children":"Company Profile"}],["$","h1",null,{"className":"text-2xl font-bold text-gray-900","children":"Crash 'n' Burn (1977 film)"}],null]}],["$","div",null,{"className":"flex-1 px-6 py-6","children":[["$","p",null,{"className":"text-sm text-gray-600 leading-relaxed mb-8","children":"Crash 'n' Burn is an experimental film shot in and named after Toronto, Ontario's first punk club by Canadian filmmaker Ross McLaren in 1977. The film, shot on 16mm black-and-white stock, features punk rock performances by The Viletones, Dead Boys, Teenage Head, The Boyfriends, and The Diodes at venues such as; the New Yorker Theater in Toronto and the CBGB, and the Times Square Motor Inn in New York City."}],["$","div",null,{"className":"columns-1 md:columns-2 gap-10","children":[["$","div","0",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Critical response"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"Village Voice critic Ed Halter called the film a \"self-destructive document of Toronto's eponymous punk club.\" The film's most frequently-quoted review, written almost one year after the initial screening, was published in Creem magazine in 1978. Creem hailed McLaren's work for \"doing everything in its flickering power to self-destruct,\" and deemed the film a living testament that not all Canadians \"bored their beef to death.\" ==Versions=="}}]]}],["$","div","1",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Versions"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"McLaren's original work emphasized the cacophony and riotousness of the punk scene in 1977 Toronto. In 2004, he debuted a karaoke-style version of the film – complete with syncopated subtitles corresponding to the bands' song lyrics – to a test audience at the Millennium Film Workshop in New York City. ==Distribution=="}}]]}],["$","div","2",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Distribution"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"16mm prints of McLaren's film are exclusively distributed by The Film-Makers' Cooperative in the United States, and the Canadian Filmmakers' Distribution Centre in Canada. ''Crash 'n' Burn'' has never been officially released on either VHS or DVD, though several bootleg VHS versions are rumoured to have been shown publicly since the 1990s, without official authorization from the filmmaker or his distributors. ==See also=="}}]]}]]}],"$Lf"]}],"$L10"]}]