For Ellen E Jones, writing in UK newspaper
The Independent on Sunday, "Part of the enjoyable comfort of Christie on TV is the period detail and the BBC has pulled this off with much more visual flair than ITV ever managed". Jones found Walliams and Raine to be, "as well turned out as
Cary Grant and
Eva Marie Saint, or
James Stewart and
Kim Novak; it's only a shame their interactions don't fizz with the same sexual chemistry”, but added, “At least the two leads are individually endearing”. She also noted “a promising cast of support characters". In
The Daily Telegraph, Michael Hogan mocked the second episode's plot, writing: "Locks were picked, typewriters were thrown through windows and a narrow escape was made down a drainpipe. This was
Scooby Doo stuff. The Russian assassin would've got away with it if it wasn't for those pesky Brits". But he also found that, "Walliams's performance was less muted than in last week's opener, when he played it too straight and ended up being thoroughly outshone by Raine. Here they were on more of an equal footing", and concluded: "This might be featherlight fare but sometimes handsomely produced historical fun is just the ticket for a Sunday night – see also
Downton Abbey.
Partners in Crimes impressive ratings (6.5 million last week) suggest it will tide plenty of us over until
Downtons return this autumn. Jolly good show". The
Irish Independents Pat Stacey was much less impressed, saying, "When the hero and heroine of your mystery drama are a posh 1950s married couple called Tommy and Tuppence Beresford, you're probably half-hobbled already. When Tommy is played by David Walliams, you might as well invest in a pair of crutches. Jessica Raine is fine as the crime fiction-addicted Tuppence […] but Walliams is grossly miscast. You never for a second believe these two could be married with a young son. Required to handle a straightish dramatic role, Walliams underplays it to the point of passivity half of the time. When he's not doing that, he veers too far in the other direction, making Tommy the kind of faintly dim, ham-fisted ditherer that couldn't investigate his way through his own front door". Overall, Stacey, found: "It doesn't do to scrutinise the plot's improbable leaps and bounds. Like Hitchcock's
The Lady Vanishes and
The 39 Steps, both of which it superficially resembles,
Partners in Crime is supposed to be a rattling, old-style good yarn. The problem is that it creaks more than it rattles, lumbering ponderously from one laboured scene to another". ==See also==