At the beginning of the 20th century,
Pope Leo XIII wrote a series of
papal encyclicals calling for peace, harmony, and devotion to
Christ the Redeemer. At the same time, Argentina and Chile were coming close to armed conflict in an ongoing dispute over the location of the border. The bishop of
Cuyo, Argentina, monsignor Marcelino del Carmen Benavente, promised to erect a statue of Christ the Redeemer to remind the parties of Christ's message of peace. The seven-meter-high bronze statue was subsequently made by
Buenos Aires sculptor Mateo Alonso and shown for a while in the
Lacordaire School of the
Dominican Order patio in Buenos Aires. As the countries slipped closer to war, Ángela Oliveira Cézar de Costa, a well-connected society lady who led a
Christian group at the school, had the idea of taking the statue to the Andes in the event of peace as a symbol of unity between the two nations. She had particular cause for concern as her brother was an
Argentine Army general preparing for conflict at the frontier. As a friend of the
President of Argentina,
Julio Roca, she gained the interest of both countries. She would later be nominated for the
Nobel Peace Prize. A diplomatic breakthrough in May 1902 led Argentina and Chile to a peaceful agreement. The plan for the statue progressed, and Oliveira Cézar de Costa and Bishop Benavente prepared to move the statue to the pass of Cumbre del Bermejo, which
José de San Martín had used in 1817 to cross the Andes and liberate Chile from Spanish colonial rule. In 1904, the Christ was moved in pieces 1,200 kilometers by train, then carried up the mountains by
mule. The six-meter-high
granite pedestal designed by Molina Civit was completed on 15 February 1904, and Alonso, the original sculptor, directed the piecing of the bronze statue. It was erected with the figure facing the border line, standing on a globe with South America prominent, his left hand holding a cross and his right raised in blessing. ==Inauguration==