,
Azores, is the sanctuary of the Lord Holy Christ of the Miracles. The foundations of this cult began in the formation of the
Convent of Caloura, which was established by the two daughters of Jorge da Mota, a resident of Vila Franca do Campo, whom had sheltered in the small Vale de Cabaços. Documentation attributes
Pope Paul III (1534-1549) with the gift of the image to the religious curia whom visited Rome in order to obtain a pontifical bull to authorize the foundation of the first convent on the island of
São Miguel. Yet, similar documents suggest the gift of the image of Christ was attributed to his predecessor,
Pope Clement VII (1523-1534). Influenced by the nun, the council of the Misericórdia and the nobles of the city, decided to take the image of Santo Cristo in procession from the Convent through the city. This included the movements of the dolly from the lower choir to the altar, before exiting the Church and circling the
Campo de São Francisco: all choreographed by the Sister Anunciada. At the beginning of the afternoon, on 13 April 1700, the brotherhoods and religious communities gathered at the Convent, along with the nobles and crowd of faithful who believed that Divine intervention would occur at the appearance of the holy image. The date of this first procession is a point of controversy: the fisherman Urbano de Moendonça Dias recorded it as 11 April 1700, while Luciano Mota Vieira suggested it was in the year 1698. Upon its appearance there was an outcry of emotion, tears and exaltation, in addition to testimonies of anguish from the faithful. Many of the poor followed the procession barefoot (owing to the poverty at the time), while the members of the nobility carried the statue in the direction of the Convent of Saint Andrew. This act was similar what to the Captain-Donatário and his entourage did in the early years of the procession: the high nobility and members of authority, in their finest clothes, followed or participated in the movement of the image throughout the streets. In reality, the procession lead a circuitous route stopping at the convents along the route, with the choirs singing
"Miserere mei Deus", stopping at: the Convent of Saint Francis (today the Church of Saint Joseph); Convent of Grace; Convent of Saint John (today the location of the Theatre Micalense); Convent of Saint Andrew (today the main Carlos Machado Museum); the Convent of the Jesuit College (the
Church of the Jesuit College); and Convent of the Conception (today the Palace and Church of the Conception). It was the celebrations of 17 December 1713, when the procession assumed an unparalleled acclamation of its populous. Earthquakes had been plaguing the islands of the archipelago, affecting directly the lives of the peoples of Ginetes, Candelária and Mosteiros: riverbeds erupted in sulphureous fumaroles and tremors plagued the islanders. The leaders of Ponta Delgada decided to bring the image out and complete a procession to the convents and churches wherein all the participants would be barefoot. Yet, on leaving the Church of the Jesuit College, in the direction of the Convent of Saint Andrew, the holy image (to the wonder and amazement of all) fell outside the grounds, and immediately all seismic activities ceased. This was seen as divine intervention; some supplicated themselves on the ground at the place that image fell, praying to God and asking for pity, others flagellating themselves, while others cried out their faults and begged God for His intersession. Meanwhile, there was little damage to the image (apart from observed damage on the right arm), and the image was washed and cleaned at the Convent of Saint Andrew. As the procession continued, the tears and sobs of the distressed faithful continued well into the night even as they returned to the Convent of Our Lady of Hope. ==Rituals==