Commodification of culture refers to the process by which market forces change the very fabric of cultures. Through
consumer capitalism, companies are able to influence things such as style, love and language. Critics argue this creates societal friction and leads to people growing disillusioned with reality. Companies often have opposing interests to the general population and yet still hold so much sway.
Commodification of holidays Many holidays such as
Christmas,
Halloween or
Valentine's Day have been argued as having become commodified. The commodification of a holiday refers to making celebrations necessarily commercial and based on material goods, like gift giving, elaborate decorations, trick or treating, and card giving. Modern celebrations of many holidays are now more related to the commercial practices and profitable tactics than they are to the holidays' origins. For some holidays, like Halloween, there are arguments that the commodification of the original holiday turned it into the celebrations that people now love. Any interests in past historical culture almost always have a modern twist. According to Mariana Torgovnick:What is clear now is that the West's fascination with the primitive has to do with its own crises in identity, with its own need to clearly demarcate subject and object even while flirting with other ways of experiencing the universe.hooks states that
marginalized groups are seduced by this concept because of "the promise of recognition and reconciliation".When the dominant culture demands that the Other be offered as sign that progressive political change is taking place, that the American Dream can indeed be inclusive of difference, it invites a resurgence of essentialist cultural nationalism.Commodification of indigenous cultures refers to "areas in the life of a community which prior to its penetration by tourism have not been within the domain of economic relations regulated by criteria of market exchange" (Cohen 1988, 372). An example of this type of cultural commodification can be described through viewing the perspective of Hawaiian cultural change since the 1950s. The Hawaiian
lūʻau was once a traditional party reserved for community members and local people, but through the rise of tourism, this tradition has lost part of its cultural meaning and is now mostly a "for profit" performance.
Commodification of love Examples of profiting from love are the myriad
The Bachelor television shows, and the increase in luxury hotels catering to singles during Valentine's Day weekends
. Commodification of media, Internet and online communities Digital commodification occurs when, a business or corporation uses information from an online community without their knowledge, for profit. The commodification of information allows a higher authority to make money rather than a collaborative system of free thoughts. Corporations such as
Google,
Apple,
Facebook,
Netflix, and
Amazon accelerate and concentrate the commodification of online communities. and water can be subjected to commodification.
Commodification of subcultures Various subcultures have been argued to as having become commodified, for example the
goth subculture, the biker subculture, the tattoo subculture, the
witchcraft subculture, and others.
Commodification of tourism Tourism has been analyzed in the context of commodification as a process of transforming local cultures and heritage into marketable goods. The commodification of tourism removes local culture from the foreground, replacing it with profitability from non-residents. This may be in the form of entertainment, souvenirs, food markets, or others. Tourism leads, in part, to the commodification of indigenous cultures as people return from visits with partial ideas and representations of the culture. == See also ==