CE behaviour became prominent with the advent of the social phenomenon of online CE. Creating and stimulating customer engagement behaviour has recently become an explicit aim of both profit and non-profit organisations in the belief that engaging target customers to a high degree is conducive to furthering business objectives. Shevlin's definition of CE is well suited to understanding the process that leads to an engaged customer. In its adaptation by Richard Sedley the key word is 'investment'. "Repeated interactions that strengthen the emotional, psychological or physical investment a customer has in a brand." A customer's degree of engagement with a company lies in a continuum that represents the strength of his investment in that company. Positive experiences with the company strengthen that investment and move the customer down the line of engagement. What is important in measuring degrees of involvement is the ability of defining and quantifying the stages on the continuum. One popular suggestion is a four-level model adapted from Kirkpatrick's Levels: •
Click A reader arrived (current metric) •
Consume A reader read the content •
Understood A reader understood the content and remembers it •
Applied A reader applies the content in another venue Concerns have, however, been expressed as regards the measurability of stages three and four. Another popular suggestion is
Ghuneim's typology of engagement. The following consumer typology according to degree of engagement fits also into Ghuneim's continuum: creators (smallest group), critics, collectors, couch potatoes (largest group). Engagement is a holistic characterization of a consumer's behavior, encompassing a host of sub-aspects of behaviour such as loyalty, satisfaction, involvement, word-of-mouth advertising, complaining and more. • Satisfaction: Satisfaction is simply the foundation, and the minimum requirement, for a continuing relationship with customers. Engagement extends beyond mere satisfaction. • Loyalty Retention: Highly engaged consumers are more loyal. Increasing the engagement of target customers increases the rate of
customer retention. • Word-of-mouth advertising advocacy: Highly engaged customers are more likely to engage in free (for the company), credible (for their audience) word-of-mouth advertising. This can drive new customer acquisition and can have viral effects. • Awareness Effectiveness of communications: When customers are exposed to communication from a company that they are highly engaged with, they tend to actively elaborate on its central idea. This brings about high degrees of central processing and recall. Simply attaining a high level of customer satisfaction does not seem to guarantee the customer's business. 60% to 80% of customers who defect to a competitor said they were satisfied or very satisfied on the survey just prior to their defection. The main difference between traditional and customer engagement marketing is marked by these shifts: • From 'reach or awareness focused' marketing communications and their metrics (GRP or pageview) towards more targeted and customised interactions that prompt the consumer to engage with and act on the content from the outset. • From absolute distinctions and barriers between an organisation and its target customers towards the participation of consumers in product development, customer service and other aspects of the brand experience. • From one-way, top-down, formal B2C and B2E interaction to continuing, dialogic, decentralised and personalised communications initiated by either party. Specific marketing practices involve: • Encouraging collaborative filtering:
Google,
Amazon,
iTunes, Yahoo
LAUNCHcast,
Netflix, and
Rhapsody encourage their consumers to filter, categorise and rate; that is, to market their products. They realise consumers are not only much more adept at creating highly targeted taxonomies (folksonomies) given that they are more adept at delineating the segment they themselves constitute, but, also, that they are willing to do so for free. And to the extent they cannot, they do it for them. If enough people like the band Groove Armada as well as the band The Crystal Method, there may well be a stylistic connection between them, despite the fact that one's categorised as 'downtempo' and the other 'beats and breaks'. Such strong associations tell Yahoo! to put the two on the same playlist more often, and if the positive ratings continue to come in, that connection is reinforced. Amazon does the same with their ‘customers who bought this item also bought…’ recommendations. • Community development: Helping target customers develop their own communities or create new ones. • Community participation: (
See Communal marketing) Consumers do not filter and rate companies and their offerings within company websites only. Being able, with little effort, cost or technical skills, to create their own online localities, a large percentage of the filtering and rating takes place in non-sponsored, online spaces. Organisations must go and meet their target customers at their favoured online hangouts to not only listen but also participate in the dialogue. • Help consumers engage with one another: Give them content (viral
podcasting,
videocasting, games, v-cards etc.) they can use to engage with one another. • Solicitation of user generated content: Engage them directly or indirectly with your product by giving them the means or incentive to create
user generated content. • Customer self-service: Help them create a
customer service FAQ in
wiki or
blog format. Create a blog where technical support staff and customers can communicate directly. • Product co-development: Create a blog where product developers and consumers can communicate directly. • Leading by teaching: Help customers in product selection by first teaching them practically, showing them a video about product use and then help them to select the product. == Metrics ==