Development Gordon Hessler first heard about the project while in
Yugoslavia directing
The Misfit Brigade for producer
Just Betzer who owned the rights to the
Richard Adams novel
The Girl in a Swing. Betzer offered Hessler the opportunity to direct and Hessler was so enthused he also agreed to write the screenplay as well as he felt the existing script deviated too far from the novel.
Post-production After screening Hessler's directors cut which Adams loved, the film's distributor J&M Entertainment felt the film was too long and ordered Hessler cut the film down. One further change requested by J&M was that the ending spell out explicitly Karin's guilty secret, in contrast to the book which only gave a subtle implication. Further cuts were ordered by the U.S. distributor
Miramax which sent Hessler a list of eight scenes they wanted removed from the film. While most of the Miramax cuts removed brief scenes and bits of dialogue that help foreshadow later events, a more damaging removal was the opening sequence of Alan following an unseen girl’s voice to the swing, setting up the tale of his supernatural beguilement. As a result of the cuts,
Meg Tilly who plays Karin in the film, refused to promote it upon release. Following its theatrical run, Hessler tried to convince Miramax to release the original version on home video by promoting it as the "uncut version", Miramax instead added narration by
Rupert Frazer that voiced the inner thoughts of his character, Alan, which was seen as forced and unnatural while also revealing the nature of the mystery within the first 10 minutes. ==Reception==