Dange and
Por received mixed reviews from critics with praise for its acting, cinematography, technical aspects, action sequences and music, but criticized the excess characters and sub-plots.
Dange Titas Chowdhury of
News18 gave 3.5/5 stars and wrote "Much like Bejoy Nambiar’s previous works,
Dange is marked with a distinct style, voice, colour and texture. Its biggest strength lies in its fresh appeal and treatment." Dhaval Roy of
The Times of India gave 3/5 stars and wrote "Despite decent performances and atmosphere,
Dange's plot meanders, often losing focus on the point of it all, which makes the direction seem overindulgent." Rohit Bhatnagar of
The Free Press Journal gave 3/5 stars and wrote "Dange is enjoyable, but highly recommended for a one-time watch." Devesh Sharma of
Filmfare gave 3/5 stars and wrote "There’s a raw energy to
Dange. It’s another film celebrating hyper-masculinity, which seems to be the flavour of the season. Watch it for a glimpse of what happens beneath the facade of respectability associated with institutes catering to higher education." Rahul Desai of
Film Companion wrote "The craft is so proudly visible in director Bejoy Nambiar’s film that it overwhelms everything else."
Por Roopa Radhakrishnan of
The Times of India gave 3/5 stars and wrote "There are a lot of characters and subplots in
Por, and it's quite natural that the film isn't able to justify all of them." Narayani. M of
The New Indian Express gave 2.5/5 stars and wrote "It’s a cinematic rollercoaster ride, and you would want to stand up and clap for its technical brilliance. Yet amidst the exhilarating ride, there’s a lingering sense of disappointment as the narrative fails to rise to the occasion." Gopinath Rajendran of
The Hindu wrote "‘Por’ features some fascinating ideas, decent performances and looks stylish, but the sub-plots don’t come together cohesively resulting in a predictable drama that’s all over the place." Latha Srinivasan of
Hindustan Times wrote "
Por is a film that goes down fighting to win over the audience with its youth story. Unfortunately, the story doesn’t have the spunk of Arjun Das nor the fury of Kalidas Jayaram to keep us engaged and invested." ==Notes==