's exhibition of
Afro-Atlantic Histories in 2022 Lind-Ramos paints on canvas with oil using traditional and uncommon applications techniques from brushes to spatulas. with the
New York Times writing that his sculpture
Maria Maria exemplified the pieces in the Biennial that "reassert the power of spirituality." Critic
Holland Cotter elaborated on the sculpture, explaining how Lind-Ramos "creat[ed] from wood, beads, coconuts and a blue
FEMA tarp, a figure that is both the
Virgin Mary and personification of the
hurricane that devastated the island in 2017...the piece looks presidingly majestic."
Exhibitions (selection) In 2023, Lind-Ramos presented the solo show
“Daniel Lind-Ramos: El Viejo Griot — Una Historia de Todos Nosotros (The Elder Storyteller — A Story of All of Us),” at
MoMA PS1,
Queens. The exhibition commented on the destruction of
Hurricane Maria through large scale installations. About the show, Pulitzer Prize winner and the New York Times co-chief art critic,
Holland Cotter stated
The title of a third work, “María de los Sustentos (Mary of Nourishment),” seems to allude to the Mother of Jesus. But the sculptural image Lind-Ramos has come up with feels far less a Spanish Catholic import than a local domestic invention, meticulously assembled, as it is, from pots and pans, fish nets, farming tools, sustaining instruments of daily life in the Loíza community.In 2022, Lind-Ramos participated in the North American iteration of the international exhibition
Afro-Atlantic Histories and his artwork was on view in the display at the
National Gallery of Art in Washington D.C. Lind-Ramos's work was featured in the 35th
São Paulo Biennial titled
Coreographies of the Impossible, taking place at the
São Paulo Biennial Foundation building in the fall of 2023. == Permanent Collections ==