Mornin's first play,
Mum and Son, produced at the
Riverside Studios, West London, in 1981 (and subsequently at the
Lyric Theatre, Belfast, in 1984) opened a rich seam of original drama in the 1980s that included
Resting Time (Tring),
Kate (
the Bush, West London),
Short of Mutiny (
Theatre Royal Stratford East), and the radio play
Scuttling Off (
BBC Radio 3).
Comrade Ogilvy was staged by the
Royal Shakespeare Company at the
Barbican in 1984.
The Murderers (1985), set in East Belfast at the beginning of the 1970s, directed by
Peter Gill at the
National Theatre was called by
Irving Wardle "the work of an able and impassioned writer" and for which he won the
George Devine award for most promising playwright. This was followed in 1987 by
Built on Sand at the
Royal Court directed by
Lindsay Posner and by
Weights and Measures, a black comedy based on the
Dennis Nilsen murders, was enthusiastically received by an invited audience at the National Theatre studios in 1987 but considered too dark for a full-scale production. His novel,
All Our Fault (Hutchinson, London, 1991), "a strong, tragic story of torture and death", was set against the backdrop of
the Troubles in 1969. In the same year
Channel 4 showed Mornin's
In the Border Country directed by
Thaddeus O'Sullivan and starring
Sean Bean,
Brendan Gleeson and
Juliet Stevenson and for which he was awarded a
Banff Award. His second play for the National,
At Our Table (1991), was a compelling study of the banality of evil, inspired by
Primo Levi and with haunting music by Mornin's close friend
Stephen Warbeck.
All Our Fault was later adapted for the film
Nothing Personal directed by
Thaddeus O'Sullivan and for which Mornin was screenwriter and starred
Ian Hart,
John Lynch and
Michael Gambon. Hart won best supporting actor at the
52nd Venice International Film Festival for his part. Mornin also worked as an IT consultant to support himself and his family. == Personal life ==