Initial reaction to the series and Max's character was mostly positive, with favorable reviews in
Rolling Stone and
Time. Hal Boedeker of the
Orlando Sentinel said: "Television's newest warrior woman possesses skills worthy of
Catwoman,
Xena,
Emma Peel, and
Wonder Woman."
Howard Rosenberg said: "If pouty faces and sexy walks could destroy, the highly arresting Max would be wiping out the entire planet." However
Joyce Millman said Max was "little more than lips and ass" and considered the series to be an expensive
Britney Spears music video.
People ran a negative review of the Pilot episode in October 2000, though in December they listed Alba's portrayal of Max as among the "breakthrough" performances of 2000. The first episode was behind only
CSI: Crime Scene Investigation as the most watched new show of the week, albeit in a week with fewer new shows because of the presidential debate coverage. Fox chose to debut
Dark Angel instead of airing the
first presidential debate, a move which TV analyst Marc Berman praised, saying: "The people who watch the debates aren't the people who'll tune into
Dark Angel anyway", though he predicted that the premiere's high ratings would not hold up as the show competed against more varied competition in subsequent weeks. It was the tenth most popular show overall that week, attracting 17.4 million viewers. The first season averaged 10.4 million viewers per episode, ranking number 59 for the 2000–01 season. Cameron said he did not know if the broadcast time change for the second season would have a positive or negative effect on the show's ratings, though R. D. Heldenfels of the
Sun Journal noted the
poor ratings of Friday night television, especially the low viewing rates among 18 to 24-year-olds, the age-group that
Dark Angel was most popular with. On the
review aggregator website
Rotten Tomatoes, the first seasons holds a score of 65% based on 23 reviews, with a critics consensus stating: "Jessica Alba does a solid job as a post-apocalyptic heroine in
Dark Angel, a sleek – if somewhat predictable – cyberpunk show. Commenting on the release of the second season, Cynthia Fuchs of
PopMatters said the first season of
Dark Angel was one of the "few straight-up successes, a ratings hit among the coveted 'youth' demographic." She praised the series but clarified: "I'm not getting carried away: Jim Cameron is not going to be making revolutionary art anytime soon." Michael Sauter of
Entertainment Weekly gave the first season a B+ and spoke highly of Alba, saying that "for a while [she was] TV's hottest kick-butt heroine". Elka Karl of
Common Sense Media gave the entire series 3 out of 5 stars, saying: "While the dialogue sometimes falls flat, overall the show is well-scripted and well acted, and Alba does an excellent job of carrying the series. Dark Angel isn't perfect by any stretch of the imagination, but it is compelling television that teen sci-fi fans will enjoy." Writing in his book
The Encyclopedia of Superheroes on Film and Television, John Kenneth Muir said it was necessary for Cameron to set
Dark Angel in the future because the prosperity of the U.S. in 2000 "offered little possibility for crime, squalor and other societal problems". While criticizing certain plot elements in the second season as contributing to the show's downfall, Muir said that larger factors in ratings dropping were the
September 11 attacks, the
Enron scandal, and the depletion of the U.S. government's surplus, which changed ''Dark Angel's'' "futuristic vision of recession in a Third-World America" from an interesting, far-fetched premise to a "depressing reminder that things could still get worse". In 2004, Max was ranked number 17 on
TV Guides list of the 25 Greatest Sci-Fi Legends, and in 2012, Dave Golder of
GamesRadar ranked her number 49 on his list of the 100 sexiest women in sci-fi. In 2009,
AfterEllen ranked Original Cindy number 6 on their list of the Top 11 Lesbian/
Bi Sidekicks. In 2015, Kayti Burt of
Den of Geek included
Dark Angel at the top of her list of "10 Sci-Fi Shows That Don't Get Enough Love". In 2016, it was recognized that
Dark Angel was the first American television series to feature an openly transgender actress playing a transgender character. In the season one episode "Out", transgender actress Jessica Crockett portrayed "Louise", a young woman on a date with Normal. The 2007 film
Hitman re-used footage of Max and other Manticore children in training from
Dark Angel. It was used to portray the Hitman protagonist
Agent 47, a cloned assassin who, like the Manticore children, has a barcode on the back of his head.
Accolades In its first season
Dark Angel won the Favorite Television New Dramatic Series award at the
27th People's Choice Awards, and was nominated for Best Television by the
International Horror Guild Awards. The production team was nominated for the Excellence in Production Design Award by the
Art Directors Guild. Editor Stephen Mark won Best Edited Motion Picture for Commercial Television at the
Eddie Awards for the pilot episode, and the pilot was also nominated for
Outstanding Special Visual Effects for the
53rd Primetime Emmy Awards and "Best Visual Effects: Dramatic Series" by the
Leo Awards.
Dark Angel was nominated for the 2001
Golden Reel Award for Best Sound Editing – Television Movies and Specials – Dialogue & ADR, and for Choice Drama at the
2001 Teen Choice Awards. Jessica Alba won Best Actress on Television at the
27th Saturn Awards, Breakout Star of the Year at the
TV Guide Awards, Outstanding Actress in a New Television Series at the
ALMA Awards, and Choice Actress at the 2001 Teen Choice Awards. She also received nominations for
Best Actress – Television Series Drama for the
58th Golden Globe Awards and Best Performance in a TV Drama Series – Leading Young Actress for the
22nd Young Artist Awards.
Dark Angel was nominated for fewer awards in its second season. It was nominated for Choice Drama/Action Adventure for the
2002 Teen Choice Awards, where Alba was also nominated for Choice Actress, Drama. Alba was also nominated for Outstanding Actress in a Television Series for the ALMA Awards. At the Leo Awards the episode "Boo" received a nomination for Best Visual Effects: Dramatic Series, and David Geddes won Best Cinematography: Dramatic Series for the episode "Two". ==Home media==