's
Jane Eyre (1847) Although dark romance shares certain thematic and aesthetic features with earlier literary traditions, it differs significantly in its treatment of romantic relationships. Dark Romanticism, a subgenre of nineteenth century Romanticism, explores the darker aspects of the
human psyche, including guilt, obsession, and moral ambiguity, as seen in authors such as
Edgar Allan Poe and
Nathaniel Hawthorne. However, these works do not typically construct romantic relationships around the sustained integration of harmful interpersonal dynamics. Similarly,
Gothic literature employs settings and narrative strategies designed to evoke suspense, decay, and the
supernatural. While Gothic fiction often incorporates romance, these elements are generally embedded within a broader atmosphere of fear and mystery rather than constituting the core dynamic of the relationship itself. Dark romance represents a more recent development in which the boundary between intimacy and taboo or destructive dynamics is deliberately blurred, integrating elements of danger directly into the progression of the romantic relationship. == Misclassification and genre ambiguity ==