Development and writing The original
Darkman was a modest success in
theaters, but it made more money on
home video. Shortly after it was released, major
rental chain Blockbuster Video appealed to
Universal for a
sequel. The studio was unenthusiastic about a theatrical follow-up, as the original's good, not great receipts, combined with the usual decrease in revenue incurred by sequels, made it a risky proposition.
Darkman II was billed as the first direct-to-video
live action film produced under the Universal Pictures banner. However, a number of
television films made by Universal Television subsidiary
MCA Television Entertainment (MTE) had already been released on physical media by
MCA/Universal Home Video. Among those were sequels to Universal classics like
Psycho IV and
The Birds II. While those premiered on
Showtime before their video release, the concept was similar. In fact, half of the budget for the
Darkman sequels came from Universal's television division, while the rest came from its home video division. was originally approached to helm some
Hercules television films that Renaissance had tabbed for
MCA Television's
Action Pack syndication package. He could not come to financial and creative terms with the production, but was offered the
Darkman sequels as an alternative, and accepted. David Roessel, already a producer on the unreleased
Darkman pilot and the short lived
M.A.N.T.I.S., was the main producer in charge of both sequels. Lawrence Hertzog, who wrote one of the screenplay drafts, received a story credit, as did MCA regular Robert Eisele, writer of
The Birds II, the Action Pack's
Vanishing Son and the unreleased
Darkman pilot. May says he also performed a couple of uncredited
rewrites, although it is unclear which of the sequels he contributed to.
Arnold Vosloo was approached to take over the role of Payton Westlake during the filming of another Renaissance production,
Hard Target, in which he played one half of the
villainous duo. Photography was listed as starting on March 15, 1994. According to May, the opening car chase featured the first cannon-based barrel roll in the history of the Toronto film industry. ==Release==