Source:
Books • Sanjek, R. and Sanjek, D. (1996)
Pennies from Heaven: The American Popular Music Business in the Twentieth Century. New York:
Da Capo Press. • Sanjek, R. and Sanjek, D. (1991)
The American Popular Music Business in the 20th Century. New York:
Oxford University Press. • Sanjek, D. (2019)
Stories We Could Tell: Putting Words to American Popular Music. Abingdom: Routledge.
Chapters • Sanjek, D. with Halligan, B. (2013) ''You Can't Always Get What You Want: Riding on the Medicine Ball Caravan'' in The Music Documentary. London: Routledge. • Sanjek, D. (2013)
Zappa and the Freaks: Recording Wild Man Fisher in Paul Carr, ed., Frank Zappa and the And: Key Essays on the Contextualization of his Legacy. Aldershot: Ashgate. • Sanjek, D. (2012)
Groove Me: Listening to the Discs of Northern Soul in Transatlantic Routes of American Roots Music. Farnham: Ashgate. • Sanjek, D. (2012)
Putting It Together: The Institutionalization of the American Musical Theatre in Oxford Handbook of the American Musical Theatre. New York: Oxford University Press. • Sanjek, D. (2012)
Jimmy Bowen in Grove Dictionary of American Music. New York: Oxford University Press.... [and various other entries: Johnny Otis; the Orioles;
Gene Vincent; Sister Rosetta Tharpe; Clyde McPhatter; Harold Melvin and the Blue Notes; Neville Brothers; Tracy Nelson; Doo Wop; Eddie Fisher; Ink Spots; Brenda Lee; Tony Brown;
Allen Toussaint; Jim Denny; the Dells] • Sanjek, D. (2011)
African-American Music and the Recording Industry: An Introduction in Encyclopedia of African-American Music, Santa Barbara: Greenwood Press. • Sanjek, D. (2011)
African-American Music and the Recording Industry: 1919-1942 in: Encyclopedia of African-American Music,' Santa Barbara: Greenwood Press. • Sanjek, D. (2011)
African-American Music and the Recording Industry: 1942-68 in Encyclopedia of African-American Music. Santa Barbara: Greenwood Press. • Sanjek, D. (2011)
Jump Blues in Encyclopedia of African-American Music. Santa Barbara: Greenwood Press. • Sanjek, D. (2011) ''What's Syd Got To Do With It?: King Records, Henry Glover and the Complex Achievement of Crossover'' in Hidden In The Mix: African American Country Music Traditions. Durham: Duke University Press. • Sanjek, D. (2009)
Bank Accounts and Black Narcissus: Jimmie Rodgers and the Professionalization of American Popular Music in Waiting For A Train: Jimmie Rodgers's America. Burlington, Mass.: Rounder Books, 65-81 • Sanjek, D. (2008)
Shock Jocks: Making Mayhem Over the Radio in Battleground: The Media Volume 2 (O-Z). Upper Saddle River, New Jersey: Pearson/Prentice-Hall. • Sanjek, D. (2005)
I Give it a 94. It’s Got a Beat and You can Dance to It. Valuing Popular Music in Michael Berube, The Aesthetics of Cultural Studies: An Introduction. Oxford: Blackwell, p. 117-139. • Sanjek, D. (2004)
All the Memories Money Can Buy: Marketing Authenticity and Manufacturing Authorship in Eric Weisbard, ed., This is Pop, Harvard University Press, 155–172. • Sanjek, D. (2004)
In My Time of Dying: Johnny Cash, Johnny Paycheck, Gary Stewart and Cycles of Hipness Peper at American Studies Association Convention, November 13. • Sanjek, D. (2002)
Tell Me Something I Don’t Already Know in Norman Kelley, ed. Rhythm and Business: The Political Economy of Black Music. New York: Akashic Books. • Sanjek, D. (1999)
Institutions in T. Swiss and B. Horner, eds. Key Terms in Popular Music and Culture. Oxford: Blackwell, pp. 46–56 • Sanjek, D. (1998)
Reeling in the Years: American Vernacular Music & Documentary Film, in Brophy, P. ed. Cinesonic: The World of Sound in Film. Sydney: AFTRS Publishing. • Sanjek, D. (1998)
Blue Moon of Kentucky Rising over the Mystery Train, in Cecilia Tichi, ed. Reading Country Music: Steel Guitars, Opra Stars and Honkytonk Bars. Duke University Press, p. 22-44 • Sanjek, D. (1998)
Popular Music and the Synergy of Corporate Culture, in Thomas Swiss, J. Sloop and E. Herman, eds. Mapping the Beat: Popular Music and Contemporary Theory. Oxford: Blackwell, • Sanjek, D. (1997)
Can a Fujiama Mama be the Female Elvis? The Wild, Wild Women of Rockabilly in Whiteley, S. ed. Sexing the Groove. London: Routledge, pp. 137–167 • Sanjek, D. (1994)
Don’t Have to DJ No More: Sampling and the Autonomous Creator in Martha Woodmansee and Peter Jansi, eds. The Construction of Authorship: Textual Appropriation in Law and Literature. Duke University Press.
Peer Reviewed Journals • Sanjek, D. (2011)
Hard of Hearing: Acoustic Legacies and Public Policies, Popular Music & Society. • Sanjek, D. (2011)
What Hath Phast Phreddie Wrought?: Los Angeles, Punk Music and the Recovery of Race Journal of Post-Punk. • Sanjek, D. (2006)
Ridiculing the White Bread Original: The Politics of Parody and Preservation of Greatness in Luther Campbell AKA Luke Skywalker et al. vs. Acuff-Rose Music, Inc.,' Cultural Studies 20, 2-3, pp. 262–281 • Sanjek, D. (2006)
Ridiculing the White Bread Original: The Politics of Parody and Preservation of Greatness in Luther Campbell, AKA Luke Skyywalker et al vs. Acuff-Rose Music, Inc. Cultural Studies 20, 2-3, pp. 262–281. • Sanjek, D. (2006) ‘Navigating the Channel: Recent Scholarship on African-American Popular Music,’ Journal of Popular Music Studies 11, 1, 167-192 • Sanjek, D. (1997)
One Size Does Not Fit All: The Precarious Position of the African-American Entrepreneur in Post WW2 American Popular Music American Music 15, 4, 535-562 • Sanjek, D. (1992)
Pleasure and Principles: Issues of Authenticity in the Analysis of Rock’n’Roll Journal of Popular Music Studies. == Film Publications ==