MTV Unplugged in New York was released on November 1, 1994. It debuted at number one on the
Billboard 200 and sold 310,500 copies, the highest first-week sales of Nirvana's career. The album received positive reviews from critics. Tom Hibbert of
Q said that as an acoustic ensemble, Nirvana sounded "most moving, possessed of a ragged glory".
Rolling Stone writer Barbara O'Dair found the record "stirring and occasionally brilliant" with "spare and gorgeous spots everywhere", highlighting the band's chemistry on "All Apologies" and Cobain's unaccompanied performance of "Pennyroyal Tea". Ben Thompson from
Mojo felt that unlike most "unplugged" releases, the format's "colourless, generic aspect" and not seeing the actual performance benefits Nirvana's record because of how intense it seems in light of Cobain's death. In
Entertainment Weekly,
David Browne felt unsettled listening to it: "Beyond inducing a sense of loss for Cobain himself,
Unplugged elicits a feeling of musical loss, too: the delicacy and intimacy of these acoustic rearrangements hint at where Nirvana (or at least Cobain, who was said to be frustrated with the limitations of the band) could have gone."
MTV Unplugged in New York was voted the fourth-best album of the year in
Pazz & Jop, an annual poll of prominent American critics published by
The Village Voice.
Robert Christgau, the poll's supervisor, also ranked the album fourth in his own year-end list, deeming it a testament to Cobain's depth of feeling, "sincerity" as a vocalist, and distinction from other sensitive
alternative rock types such as
Eddie Vedder and
Lou Barlow: "The vocal performance he evokes is
John Lennon's on
John Lennon/Plastic Ono Band. And he did it in one take."
Retrospective In a retrospective review for
AllMusic, senior editor
Stephen Thomas Erlewine said
MTV Unplugged in New York was "fearlessly confessional", as it found Nirvana and Cobain "on the verge of discovering a new sound and style". In
The Rolling Stone Album Guide (2004), journalist Charles M. Young called it Nirvana's "second masterpiece" after
Nevermind, and claimed that Cobain could have "revolutionized folk music the same way he had rock" because of his striking voice; he said his songs worked equally well with "a loud band bashing away behind you" or "with just an acoustic guitar". Maeve McDermott of
USA Today called it "an album of transcendent folk rock that glimpsed what could've been the band's next post-grunge era, had frontman Kurt Cobain survived long enough to see its musical leanings through."
The Guardian wrote that
MTV Unplugged in New York had become "inextricably linked" to Cobain's death a few months after its recording, citing the funereal set design and the sense that Nirvana was "on the verge of a new musical direction, beyond their grunge roots". It named an image from the performance an "era-defining photograph". A 2013 article by critic Andrew Wallace Chamings in
The Atlantic described it as one of the greatest live performances of all time: In 2012,
Rolling Stone placed
MTV Unplugged in New York number 313 on its list of
"The 500 Greatest Albums of All Time". The 2020 edition of the list placed it at number 279.
Rolling Stone also named it the 95th best album of the 1990s. In 2012,
Rolling Stone readers voted it the 8th-best live album.
NME named
MTV Unplugged in New York the greatest live album in 2011, and
Kerrang listed it among the 11 best live albums of all time. In 2014,
Guitar World ranked named
MTV Unplugged in New York one of the "50 iconic albums that defined 1994", and in 2019 named it one of the best live albums. In 2020,
the Telegraph named it the 13th-greatest live albums of all time, and 2020,
Planet Rock named it one of the 100 greatest live albums. It was also included in the book
1001 Albums You Must Hear Before You Die. Reviewing the DVD release in 2007, the
Los Angeles Times wrote that it "deserves a place on the rock TV history shelf alongside the informal, sit-down section of
Elvis Presley's epic comeback special in 1968". In 2018, during their divorce settlement proceedings, the court rejected Silva's request for
spousal support, ownership of their house, and reimbursement of his legal fees but awarded him the guitar. In 2020, it was sold at
Julien's Auctions for US$6 million to Peter Freedman of
Røde Microphones, making it the most expensive guitar ever sold at auction. ==Track listing==