Box office The worldwide box office was reported as $235,860,579, which includes domestic grosses of $95,860,116. The film's global receipts were the
fifth-highest for 1989, and the highest for dramas.
Critical response On
review aggregator Rotten Tomatoes,
Dead Poets Society holds an approval rating of 85%, based on 66 reviews, with an average score of 7.2/10. The website's critical consensus reads: "Affecting performances from the young cast and a genuinely inspirational turn from Robin Williams grant Peter Weir's prep school drama top honors." On
Metacritic, the film received a score of 79, based on 15 reviews, indicating "generally favorable" reviews. Audiences polled by
CinemaScore gave the film a rare "A+" grade on a scale of A+ to F.
The Washington Posts reviewer called it "solid, smart entertainment", and praised Robin Williams for giving a "nicely restrained acting performance".
Vincent Canby of
The New York Times also praised Williams' "exceptionally fine performance", while writing that "
Dead Poets Society... is far less about Keating than about a handful of impressionable boys."
Roger Ebert's review for the
Chicago Sun-Times gave the film two stars out of four. He criticized Williams for spoiling an otherwise creditable dramatic performance by occasionally veering into his onstage comedian's persona, and lamented that for a film set in the 1950s, there was no mention of the
Beat Generation writers popular among college students of the era. Additionally, Ebert described the film as an often poorly constructed "collection of pious platitudes... The movie pays lip service to qualities and values that, on the evidence of the screenplay itself, it is cheerfully willing to abandon." On their Oscar-nomination edition of
Siskel & Ebert, both
Gene Siskel (who also gave the film a mixed review) and Ebert disagreed with Williams's Oscar nomination. Ebert said that he would have swapped Williams with either
Matt Dillon for
Drugstore Cowboy or
John Cusack for
Say Anything. On their
If We Picked the Winners special in March 1990, Ebert chose the film's Best Picture nomination as the worst nomination of the year, believing that it took a slot that could have gone to
Spike Lee's
Do the Right Thing. Film historian
Leonard Maltin wrote: "Well made, extremely well acted, but also dramatically obvious and melodramatically one-sided. Nevertheless, Tom Schulman's screenplay won an Oscar."
John Simon, writing for
National Review, said that
Dead Poets Society was the most dishonest film that he had seen in some time.
Richard Schickel reviewed the film for
Time, commenting: "Williams, who has comparatively little screen time, has come to act, not to cut comic riffs, and he does so with forceful, ultimately compelling, simplicity."
Kevin Dettmar wrote in
The Atlantic: "The beloved film's portrayal of studying literature is both misleading and deeply seductive." He commented further on how literature was taught in the film (by Robin Williams's character John Keating), describing it as "the literary equivalent of
fandom," and "anti-intellectual".
Accolades American Film Institute Lists The film was voted #52 on the
AFI's 100 Years…100 Cheers list, a list of the top 100 most inspiring films of all time. The film's line, "
Carpe diem. Seize the day, boys. Make your lives extraordinary.", was voted as the
95th greatest movie quote by the
American Film Institute.
Legacy After Robin Williams's death in August 2014, fans of his work used social media to pay tribute to him with photo and video reenactments of the film's final "
O Captain! My Captain!" scene. Upon hearing about Williams's death, many teachers came forward to pay him their respects online and even revealed that they were inspired to become teachers because of his character, Mr. Keating, from
Dead Poets Society. Ethan Hawke and Josh Charles feature prominently in the
music video for "
Fortnight" by American singer
Taylor Swift from her album
The Tortured Poets Department (2024), as a nod to the similarity between the two titles.
Lara Flynn Boyle scenes A majority of actress Lara Flynn Boyle's scenes were edited out of the final film despite her name being in the film's credits. Boyle went on a 1990 episode of
Late Night with David Letterman saying she was totally edited out of the film. However, Boyle did appear in sections of the final film that showed the performance of Shakespeare's ''
A Midsummer Night's Dream''. ==Adaptations==