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Deborah Luster

Deborah Luster is a photographic artist from Northwest Arkansas, US, and has been a professional photographer since the 1990s. Luster has at least one book in print, One Big Self: Prisoners of Louisiana, and is known for using older technology such as tintype to document and artistically portray violent crime and related topics. She is published and discussed in various international media such as The Economist, educational sources such as the John Simon Guggenheim Memorial Foundation, galleries such as the Jack Shainman Gallery and San Francisco Museum of Modern Art

Career and awards
Luster jointly won a Lange-Taylor Prize in 2000 with C.D. Wright with whom she has worked as a duo for One Big Self. Permanently featured in Whitney Museum of American Art, the San Francisco Museum of Modern Art, New Orleans Museum of Art, and the Museum of Contemporary Photography, Chicago, Deborah Luster "creates a complex and vivid portrait". on One Big Self making portraits of prisoners in silver-gelatin emulsion on metal boards. Vince Aletti of The New Yorker said of her work "Suddenly, we are there, and desolation, desperation and death are very real." She gave visiting presentations at Pratt Institute, Hendrix College and Watkins College of Art and Design in 2013, while in 2014 she was awarded residency at the Irish Museum of Modern Art. She has been awarded the Anonymous Was A Woman Award, Peter S. Reed Foundation Grant, and the Baum Award for Emerging American Photographers. Her work is also featured in dozens of public collections. Luster's work on One Big Self extended to two other prisons including Angola Penitentiary and her work is permanently displayed in still more notable galleries including the Smithsonian American Art Museum. ==References==
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