Decapoda Shock

An astronaut explores the red dirt surface of an alien planet, where a crab-like creature reaches out of the soil and snips through his space suit. The infection that results transforms him into a cosmic decapod crustacean/human hybrid, with the head and claws of a crayfish or lobster. When he returns to Earth and tries to reconnect with his family, he discovers that he's been the victim of a sinister conspiracy, and takes revenge on those responsible for his family's disappearance. ==Cast==

;Actors • Federico Martín • Hombre-Cangrejo Man ("Crab Man" or "Crayfish Man") • • Astronaut • José Antonio Fuentes • Eric Gibraltar • Alexey Chillon • Son • Pilar García • Mother ;Voice • • Astronaut Voice ==Themes==

Decapoda Shock shares a number of themes with Javier Chillon's first film, Die Schneider Krankheit: monstrous creatures resulting from "spatial" mutations or genetic manipulation, primarily derived from the science fiction B movies of the 1950s, the "atomic age". ==Production==

Background and financing Less than a year after the release of Javier Chillon's very successful first short film, Die Schneider Krankheit (2008), a film that includes the "Hollywood look of the 50s" among its influences, Chillon was in Paris pitching a project called Outfinite, which would "pay tribute to sci-fi B movies and blaxploitation pics." The film that became Decapoda Shock was ultimately self-produced by Chillon and his friend Luis Fuentes, who was also the cinematographer on Die Schneider Krankheit; as before, they relied on themselves and on their "very talented friends" for support: "we didn't have much money to spend (the final budget was around 1500€) so we made everything ourselves or called our friends for help." The film was made for far less money than Die Schneider Krankheit, and was also less time-consuming; the director's love of the American B movie genre he imitates in these films happens also to be a way to get a film made on a limited budget. Development and writing Chillon wanted to "make something very different" from his previous film: "There were very different things that I wanted to try and, in a way, I wrote the script to accommodate all of them in a wacky story. I spent two years in the making of the film." The director allowed himself more spontaneity and improvisation this time around, shooting without a fleshed out script: there was a "concise idea" but the story elements were added gradually over time, "on the fly". Filming Decapoda Shock was filmed between July 2009 and March 2011 in Guadalajara, Spain and Madrid, using an HDV camera, the Canon XL-H1, "because a friend owned it and we could borrow it any time we needed it during these two years." Unlike the previous film, it was shot in colour, with orange the "main dominant" and also the main colour "for clothes, props, and so on", with a view to achieving "a kind of a comic book feeling." The reason the film took so long to shoot was the range of "locations and different actors and the tight budget"; as an example, the first scene with the astronaut was shot in the course of one year using three different locations and three different actors (two of them for the hands). ==Release==

Decapoda Shock had its premiere at in Paris Its Spanish premiere was at the Sitges International Fantastic Film Festival in October. As of 2019, the film had been selected for more than 330 international film festivals. Online platform The film is available in its entirety on Vimeo. ==Reception==

Critical response Robert Barry reviewed Decapoda Shock after seeing it at its premiere, saying it "mixed an inventive and articulate use of 'real' cinematography with the freedom of expression afforded by occasional intrusions of animation"; he voted for it in the audience prize in the festival's short film competition. A statement by the Fanonmenon jury awarding the Silver Méliès to the film at the Leeds International Film Festival, gives the reasons why it was chosen: "Decapoda Shock was very creative and achieved a lot in a short space of time – hilarious storytelling, strong pastiche techniques, multi-media visualisation and displayed a passion for the genre." Describing the film as coming "from way the heck out in left field", Paul Bowers suggests despite the plot making "only halfway" sense, it's "fine", and: "You'll be too enraptured by the horror-schlocky camera cuts, animated depictions of evil government cabals, and close-up shots of gored anonymous henchmen to put all the pieces together anyway." Kate Williamson and Gem Carmella say the film does what it deliberately sets out to do: "confuse, shock, surprise, and most importantly, to make fun of itself"; initially, it passes itself off as "a badly made but serious film", but "its cheap feel is actually the result of a precise and perfectly executed set of technical considerations. Quite simply, you’ve got to be pretty good at what you do to make something look this bad"; the film is a "master class in parody". Similarly, Samantha Hautea calls the film "a celebration of the absurd", "tying in various film clichés". Andrew Robertson said "once you have seen it you cannot help but measure every film you have ever seen against it ... The colour-palette is washed and perfect, and the high-drama and STAGGERING ACTION are such that one cannot help but reach for the hyphen and CAPS LOCK keys." Accolades Decapoda Shock received over thirty awards and honours within the first two years of its release. ;2011 ;2012 ;2013 ==References==