New York's
PM was positive upon the picture's release: "One thing a good B picture knows—and Decoy is a good B—is how to tell its story....Tell it straight, fast, and simple....Make the motives plain, the characterizations clear....Decoy, and Jean Gillie and Marjorie Woodworth, stick to the rules. Miss Gillie's wicked, Miss Woodward's Florence Nightingale, but their costumes define them alike. Otherwise Miss Gillie, who's after the four hundred grand her first bank robber-killer's meanly stashed away, zings through plenty of direct action tactics, with accompanying double-crosses, before she gets its, and the proper Johnston office wages. It takes her 70 minutes to collect them, but that's only because she's deservedly shot at the beginning of the picture, which then explains why. Well, if ever a girl had it coming to her, that Miss Gillie is the one." The contemporary
Philadelphia Inquirer thought the story "clumsily told, and unrelieved by humor. A quirk ending does not suffice for killing most of the suspense by having the story told in flashback. Herbert Rudley is the most believable of the cast, as the physician whose ideals crash." Film critic
Glenn Erickson liked the film, writing in 2007, "After 1978
Decoy rarely or never appeared on television or in museum screenings. In 2000 the
American Cinematheque showed it with the writer of its original story,
Stanley Rubin, in attendance. The movie brought the house down with its odd mix of melodrama, hardboiled gimmicks and unrestrained sadism. I thought then that, as far as violence goes,
Decoy was to 1946 what
Pulp Fiction is to 1994." Film critic Dennis Schwartz gave the film a mixed review in 2019, writing, "Jack Bernhard directs a darkly atmospheric but disjointed film noir that is rife with plot inconsistencies. The film's main virtue is the sinister performance by British newcomer Jean Gillie as Margot Shelby, who is the nonredeemable femme fatale with a history of using men and even resorting to violence to achieve her ends. Gillie is one of the more cruel femme fatales in film noir lore." Shown on the
Turner Classic Movies show 'Noir Alley' with
Eddie Muller on December 3, 2022. ==References==