(centre) and the Dharma-chakra-pravartana Buddha sculpture (right) Of the hundreds of Buddha images produced by the Sarnath School, arguably the best known is this
Dharmachakrapravartana image, showing the First Sermon preached at the Deer Park in Sarnath. John Huntington has analyzed this sculpture in detail. He wrote "Nowhere in the whole of Buddhist art is there a more clearly and specifically articulated vision of the event than this image... The image is also highly nuanced and to the aware observer has a vastly complex
Buddhological message, to be read on several levels." One of the most well-known Buddha images from ancient South Asia, according to Catherine Becker, this Gupta period representation of the Buddha turning the wheel of dharma in the deer park at Sarnath is a canonical example of the "golden age" of Gupta sculpture. According to Robert E. Fisher, "we are confronted with a figure of great spiritual bearing, far removed from the earlier, heavy
yaksha-derived images. Now attention is directed to the meaning of the faith, instead of to the person of the Buddha. His form is highly abstracted, extraneous details are eliminated and our attention is drawn to the focused gaze and to the face and hands, areas surrounded by smooth unadorned surfaces. These combine to convey a meaning extending beyond the episode of the First Sermon, and on to the transcendent dimensions of
Mahayana Buddhism. The transcendent effect equals that found in the colossal images at
Kanheri and
Bamiyan, but without recourse to overpowering size". Krishna Dev, formerly and latterly,
David Berry Knapp, the mayor of
Rajneeshpuram, Oregon, described the sculpture as follows: "This outstanding image radiates the Master's adamant resolve and strength, combined with complete equanimity, compassion and tender grace. The inspired artist of this masterpiece has caught the moment when the great teacher who had achieved Supreme Enlightenment after six years of strenuous exertion, felt overwhelmed with compassion for the suffering humanity and condescended to turn the Wheel of Law... The momentous events of the First Sermon and the founding of the Buddhist Sangha are immortalised in this unique sculpture ... Combining elemental strength with tender grace and subtle delicacy with transcendental sublimation, this luminous image indeed constitutes a masterpiece of the Indian, nay World art, enshrining the noble teachings of Lord Buddha."
Radha Kumud Mookerji, born 1884, nationalist historian of India, wrote originally in 1947: "The Sarnath seated image of the Buddha in the act of his preaching the first sermon is considered as one of the masterpieces of Indian art, and of its Gupta style marked by its symbolism." ==Replica at the Mulagandhakuti Vihara==