Acting Baby Peggy was "discovered" at the age of 19 months, when she visited Century Studios on
Sunset Boulevard in
Hollywood with her mother and a film-extra friend. Her father, Jack, a former cowboy and park ranger, had done work as a stuntman and stand-in for
Tom Mix in a number of his cowboy films. Impressed by Peggy's well-behaved demeanor and willingness to follow directions from her father, director
Fred Fishback hired her to appear in a series of short films with Century's canine star
Brownie the Wonder Dog. The first film,
Playmates in 1921, was a success, and Peggy was signed to a long-term contract with Century. Between 1921 and 1924, Peggy made close to 150 short comedy films for Century. Her films often spoofed full-length motion pictures, social issues and stars of the era; in one, ''Peg O' The Movies
, she satirized both Rudolph Valentino and Pola Negri. She also appeared in film adaptations of novels and fairy tales, such as Hansel and Gretel
and Jack and the Beanstalk'', contemporary comedies, and a few full-length motion pictures. at the
White House,
Washington D.C., February 2, 1925 While under contract with Century and Universal, Peggy commanded an impressive salary. By 1923, she was signed to a $1.5 million a year contract at Universal ($ million in ); on her vaudeville tours she made $300 per day. Her parents handled all of the finances and money was spent on expensive cars, homes, and clothing.
Working conditions Peggy's working conditions, as described in later interviews and her autobiography, were harsh. As a toddler she worked eight hours a day, six days a week. She was generally required to perform her own stunts, which included being held underwater in the ocean until she fainted (
Sea Shore Shapes), escaping alone from a burning room (
The Darling of New York), and riding underneath a train car (
Miles of Smiles). While at Century she also witnessed several instances of
animal cruelty and saw a trainer crushed to death by an elephant. Schooling for both Peggy and her sister, Louise, was sporadic at best. Neither attended school until the end of the vaudeville era; for their secondary education, they worked to pay for their tuition at Lawlor Professional School, which offered flexible schedules and allowed them to continue performing in films. Baby Peggy's career was controlled by her father, who accompanied her to the studio every day and made every decision about her contracts. Her father often claimed that Peggy's success was based not on her own talent, but on her ability to follow orders unquestioningly.
Film career fade out and stage work Baby Peggy's film career abruptly ended in 1925 when her father had a falling out with producer
Sol Lesser over her salary and canceled her contract. ==Post-acting years==