During the late 1950s, Guindon attended the
University of Minnesota, where he drew cartoons for
The Minnesota Daily, as recalled by Stan Gotlieb: Living in
New York City during the early 1960s, Guindon began contributing to
The Nation,
Playboy,
Esquire and
Down Beat. He also drew cartoons for
Paul Krassner's
The Realist and was associated with Krassner's class at the Free School. Guindon's best-known work from the 1960s was published in
The Realist, which included adult-themed references to
politics and current events. Leaving New York, Guindon returned to
Minnesota, where
Mpls.St.Paul Magazine said in its "Encyclopedia Minnesotica" that Guindon is "Minnesota's greatest satirist". In 1981, Guindon moved from Minnesota to work in
Michigan for the
Detroit Free Press, which issued a 1984 datebook, ''Guindon's Detroit
. In May 1984, he made an appearance on The Tonight Show Starring Johnny Carson''. He had a three-month art exhibition, "Richard Guindon, 1981–1984", at the
Flint Institute of Arts from March 10 to May 26, 1985. The same year, he took an extended vacation, continuing to draw his cartoons while driving around
Europe. Guindon began his self-titled cartoon series for the
Minneapolis Tribune in 1974. At first it appeared three to four times per week. It became daily in 1978 when it was picked up by the
Los Angeles Times Syndicate. In 1981, the syndication was moved to
Field Newspaper Syndicate, and then in 1984 to
News America Syndicate. The syndication of the panel appears to have ended in 1985, but the cartoon may have survived as a feature of the
Detroit Free Press until later, perhaps 1987. When he returned to the U.S., Guindon moved to
Traverse City, Michigan, in March 1986, and the following August he set up a studio in the Masonic Hall building in downtown Traverse City with a third-floor view of
Grand Traverse Bay. Eight months later, the historic four-story building was destroyed by fire. "I've lost 30-some years of work", Guindon said. "It's funny this building should wait 97 years for me to move into it before burning. It really hasn't hit me yet. I think tomorrow is going to be a very grim day." More than 5,000 cartoons and sketches burned in the fire, but a few weeks later Guindon learned that Irv Letofsky, Sunday editor of the
Los Angeles Times "Calendar" section, had saved a copy of every Guindon cartoon syndicated over a decade. In 1988, Guindon broke out of the single-panel mold and began a multi-panel comic strip,
The Carp Chronicles, commenting, "Nothing ever works out in Carp City. I don't know why. They're very nice people. It's not a pretty story, but it has to be told." Guindon announced his retirement in 2005 ==Bibliography==