Constantin Film

Constantin Filmverleih GmbH was founded in West Germany on 1 April 1950 by Preben Philipsen and , who would later become the head of publicity for the company. It was originally the country's national distributor of films produced by Columbia Pictures and United Artists. Throughout the 1950s, Constantin distributed both popular and art-house films from several nations as well as medium-budgeted domestic films. Constantin's popularity grew through the late 1950s to the 1960s by not only distributing popular films but creating its own in-house talent roster of contract players (Joachim Fuchsberger, Heinz Drache), directors and producers (Wolf C. Hartwig), as well as co-financing international co-production films shot in Italy, such as the Clint Eastwood spaghetti westerns, the films of Harry Alan Towers and others using their own stable of stars. Constantin also had great success with their Jerry Cotton film series, though projected film series of Sherlock Holmes, Jules Maigret and Perry Rhodan only had one entry. Constantin Filmverleih was renamed to Constantin Film GmbH on 21 September 1964, and on 1 July 1965, Bertelsmann Publishing became the majority shareholder of Constantin. They attempted to increase output without increasing investment that resulted in the demise of many of the studio's popular film series, investment in sex films, and a stronger emphasis on releasing films from other nations rather than shooting their own. Bertelsmann sold its shares in 1969. ==New Constantin==

Founded in 1978 by Bernd Eichinger, with Bernd Schaefers, as Neue Constantin Film after acquiring the assets of the bankrupt "old" Constantin Film GmbH the previous year, Constantin Film developed into the first German film distributor with its own production company in just six years, with production activities extending to the international market. In 1986, the Kirch Group (at the time Europe's biggest film and TV license traders) acquired a minority stake in Neue Constantin Film. Eichinger retained one of the company's leading executives and a major shareholder to his death in 2011. In the following years, Constantin Film fixed its position on the international movie market by establishing various production subsidiaries across Europe in 1996. At the end of the 1990s, Constantin Film acquired majority stakes in the film production companies Olga Film GmbH, Engram Pictures and MOOVIE GmbH. In August 1999, EM.TV & Merchandising acquired a 25% stake in Constantin Film alongside its 51% stake in Olga Film, marking EM.TV's entry into the feature film business and increasing their family entertainment business. A month later in September 1999, the company then went public on the German stock market as Constantin Film AG. Deutsche Börse placed the Constantin Film share on the selection index Nemax 50 in March 2000. In 2000, the company partnered with American producer Propaganda Films to start ProCon Films, the venture was quickly dissolved in October 2001. Constantin Film AG founded Rat Pack Filmproduktion GmbH with producer Christian Becker and his team in 2001. The Swiss Highlight Communications AG (a strategy and finance holding with the operative segments of film and sports and event marketing) acquired 23 percent of the capital stock of Constantin Film AG from Kirch Beteiligungs GmbH und Co. KG and from diversified holdings for the first time in 2002. In 2003, the board of Constantin Film AG embarked on a new strategic path for the company: the traditional business areas of production and distribution were expanded to include the three areas of license trading, home entertainment exploitation and increased TV service production (especially TV entertainment). Constantin Film AG also acquired 61 percent of the shares in KirchMedia Entertainment GmbH (now renamed Constantin Entertainment GmbH), one of the market leaders in German show and entertainment production. The stake was increased to 100 percent in 2005. At the end of 2009, the listing of Constantin Film AG expired; all the shares were transferred to Highlight Communications after a squeeze-out. As of 7 October 2009, Constantin Film was no longer listed at the Frankfurter Börse. In January 2017 Bernhard Burgener was appointed chairman of the supervisory board, with Martin Moszkowicz as chairman of the executive board. In this capacity, Moszkowicz is responsible for the company's film business, including worldwide production and distribution, world sales, marketing and publicity as well as corporate communication and legal affairs. Oliver Berben joined the Constantin Film AG Managing Board on 1 January 2017. The newly-created division TV, Entertainment and Digital Media concentrates the development and manufacture of all national and international productions of the company that are not intended for cinema exploitation. Berben founded the MOOVIE GmbH in 1996, which became a subsidiary of Constantin Film AG in 1999. In June 2018, Constantin Film had announced that they had acquired Munich-based drama television production company Hager Moss Film. In January 2019, Berben assumed the position of "managing director production" of Constantin Film Production GmbH, at the same time continuing his work as a producer. On 12 October 2021, former Disney Plus and Netflix executive Matt Brodlie and former president of Sierra/Affinity Jonathan Kier co-founded Upgrade Productions, based in Los Angeles. The new company also formed a partnership with Bron Releasing, aiming to develop and produce quality local-language productions for a worldwide audience. It would finance projects in Eastern Europe, Latin America, and Japan. In November 2021, Bron appointed Kier as president of Bron sales, marketing and distribution arm In October 2021, the Writers Guild of America West advised its members not to work for the company due it not being a signatory to the 2020 Minimum Basic Agreement. However, the company said that it had paid all WGA fringe payments, which had been accepted by the WGA. In July 2023, Netflix and Constantin signed an exclusive long-term partnership. Productions The most successful license titles and internal or co-productions in Germany include (in terms of numbers of viewers) The Never Ending Story (approx. 5 million), The Name of the Rose (5.9 million), The House of the Spirits (nearly 4 million), Dances With Wolves (nearly 6.8 million), Seven (more than 2.8 million), The Sixth Sense (more than 4 million), Maybe... Maybe Not (more than 6.6 million), Werner – Beinhart! (more than 4.9 million), ' (more than 3.2 million), ' (more than 2.4 million), Asterix & Obelix vs. Caesar (nearly 3.6 million), Werner – Volles Rooäää!!! (nearly 2.8 million), American Pie (more than 6 million viewers, the biggest film of 2000), Downfall (more than 4.6 million viewers. Oscar-nominated), Perfume: The Story of a Murderer (nearly 5.6 million), The Baader-Meinhof Complex (more than 2.4 million), ''Manitou's Shoe (the second-most successful German film ever with more than 11.7 million viewers), Dreamship Surprise – Period 1 (9 million), Lissi and the Wild Emperor (more than 2.2 million), Vicky the Viking (nearly 5 million), Nowhere in Africa (1.66 million viewers. Oscar winner for "Best Foreign Language Film" in 2003), The Wave (more than 2.5 Mio), Hui Buh (more than 2 million), The White Massai (more than 2.2. million), (1.8 million), Horst Schlämmer – Isch kandidiere! (1.35 million), Wedding Fever in Campobello (1.3 million), Pope Joan (2.3 million), the Wild Chicks series (3.2 million), Girls on Top (nearly 1.8 million), (2.4 million), Suck me Shakespeer (7.3 million) and the international self-production Resident Evil'' (3.6 million viewers), which developed into a successful international franchise. ==Filmographies==

List of content produced by Constantin Film List of content produced by New Constantin Film ==References==