Deenanath Mangeshkar started taking singing and
Indian classical music lessons from Shri Baba Mashelkar at the age of five. He was also to become a disciple at the
Gwalior gharana. He was fascinated by the variety and aggressive style of
Ramkrishnabuwa Vaze and became Vaze's
gandabandh shagird (formally initiated disciple in Indian classical music). In his youth, he also travelled to
Bikaner and took formal training in classical music from Pundit Sukhdev Prasad, father of Pundit
Mani Prasad, of the
Kirana Gharana. He joined the Kirloskar Sangeet Mandali and the Kirloskar Natak Mandali at the age of 11. Later, he left Kirloskar Mandali, and formed Balwant Mandali with his friends
Chintaman Ganesh Kolhatkar and Krishnarao Kolhapure. This new group had
Ram Ganesh Gadkari's blessing, but Gadkari died in January 1919 shortly after the group was formed. Deenanath's good looks and melodious voice won him popularity in the Marathi theatre. So much so that the then giant of the
Marathi stage,
Bal Gandharva publicly declared that he would welcome the entry of Deenanath in his organisation "
by throwing a carpet of rupee coins under his feet". He produced 3 films in 1935, one of them being
Krishnarjun Yuddha. It was made in both Hindi and Marathi, and a song in the film was sung by and filmed on Deenanath. Mangeshkar had also studied
Indian astrology. Partly out of his interest in astrology and numerology, he believed that dramas with 5 letters, with anuswar (diacritical) on the third letter, were lucky for him. Examples : Ranadundubhi (रणदुंदुभी), Rajsanyas (राजसंन्यास), Deshkantak (देशकंटक). The dramas produced by Deenanath were extremely popular amongst the masses due to his masterly presentation of the songs composed by Vaze and their patriotic content. ==Personal life==