Disaster film

Disaster films were made before the phrase was coined in the early 1970s. The genre is almost as old as the film medium itself. One of the earliest was Fire! (1901) made by James Williamson of England. The silent film portrayed a burning house and the firemen who arrive to quench the flames and rescue the inhabitants. Origins of the genre can also be found in In Nacht und Eis (1912), about the sinking of the Titanic; Atlantis (1913), also about the Titanic; the Danish The End of the World (1916), (about a comet); ''Noah's Ark (1928), the Biblical story from Genesis about the great flood; Deluge (1933), about tidal waves devastating New York City; King Kong (1933), with a gigantic gorilla rampaging through New York City; and The Last Days of Pompeii'' (1935), dealing with the Mount Vesuvius volcanic eruption in 79 AD. John Ford's The Hurricane (1937) concluded with the striking sequence of a tropical cyclone ripping through a fictional South Pacific island. The drama San Francisco (1936) depicted the historic 1906 San Francisco earthquake, while In Old Chicago (1937) recreated The Great Chicago Fire which burned through the city in 1871. As in the silent film era, the sinking of the Titanic would continue to be a popular disaster with filmmakers and audiences alike. Werner Klingler and Herbert Selpin released the epic film Titanic in 1943. The film was soon banned in Germany and its director, Selpin, was allegedly executed. The film was a staple for all Titanic films, and scenes became stock footage for the British version. Clifton Webb and Barbara Stanwyck starred in the 1953 20th Century Fox production Titanic, followed by the highly regarded British film A Night to Remember in 1958. The British action-adventure film The Last Voyage (1960), while not about the Titanic disaster but a predecessor to The Poseidon Adventure, starred Robert Stack as a man desperately attempting to save his wife (Dorothy Malone) and child trapped in a sinking ocean liner. The film, concluding with the dramatic sinking of the ship, was nominated for an Oscar for Best Visual Effects. ==1970s peak==

The golden age of the disaster film began in 1970 with the release of Airport. Arguably the greatest of the 1970s disaster films, The Towering Inferno was a joint venture of 20th Century Fox and Warner Bros. and was produced by Irwin Allen (eventually known as "The Master of Disaster", as he had previously helmed The Poseidon Adventure and later produced The Swarm, Beyond the Poseidon Adventure and When Time Ran Out...). Directed by John Guillermin and starring Paul Newman, Steve McQueen, William Holden and Faye Dunaway, the film depicts a huge fire engulfing the tallest building in the world and firefighters' attempts at rescuing occupants trapped on the top floor. The film was nominated for eight Academy Awards including Best Picture, winning for Best Cinematography, Best Film Editing and Best Original Song. Earthquake was also honored with four Academy Award nominations for its impressive special effects of a massive earthquake leveling the city of Los Angeles, winning for Best Sound and receiving a Special Achievement Award for visual effects. The film was directed by Mark Robson and starred Charlton Heston, Ava Gardner, Geneviève Bujold, George Kennedy and Lorne Greene. It was noted as the first film to utilize Sensurround, where massive subwoofer speakers were installed in theaters to recreate the vibrating sensation of an earthquake. Several made-for-TV movies also capitalized on the craze, including Heatwave! (1974), The Day the Earth Moved (1974), Hurricane (1974), Flood! (1976) and Fire! (1977). The trend continued on a larger scale with The Hindenburg (1975), starring George C. Scott; The Cassandra Crossing (1976), starring Burt Lancaster; Two-Minute Warning (1976), starring Charlton Heston; Black Sunday (1977), starring Robert Shaw; Rollercoaster in Sensurround (1977), starring George Segal; Damnation Alley (1977), starring Jan-Michael Vincent; Avalanche (1978), starring Rock Hudson; Gray Lady Down (1978), also starring Charlton Heston; Hurricane (a 1979 remake of John Ford's 1937 film; a different movie than the made-for-TV production of same title listed above), starring Jason Robards; and City on Fire (1979), starring Barry Newman. The Airport series continued with ''Airport '77 (1977) and The Concorde ... Airport '79 (1979), with George Kennedy portraying the character Joe Patroni in each sequel, and The Poseidon Adventure was followed by Beyond the Poseidon Adventure'' in 1979. The genre began to burn out by the late-1970s when the big-budget films The Swarm (1978), Meteor (1979), Hurricane (1979), ''The Concorde ... Airport '79 (1979), Beyond the Poseidon Adventure (1979) and When Time Ran Out...'' (1980) performed poorly at the box office, signaling declining interest in the disaster film product. Although The Big Bus (1976), an earlier disaster film spoof, had failed to be a hit, the end of the trend was marked by the 1980 comedy Airplane!, which fondly spoofed the clichés of the genre to surprising box-office success, producing a sequel of its own, Airplane II: The Sequel, in 1982. ==1990s revival==

The resurgence of big-budget productions of the genre—aided by advancements in CGI technology during the 1990s—include such films as Twister, Independence Day, Daylight, ''Dante's Peak, Volcano, Hard Rain, Deep Impact and Armageddon. In 1997, James Cameron co-produced, wrote and directed a version of the epic story of the Titanic''. The film combined romance with intricate special effects and was a massive success, becoming the highest-grossing film of all time for twelve years with over $2.2 billion worldwide, and won 11 Academy Awards including Best Picture and Best Director. ==See also==